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George Lambert and ‘Windamere’

08 February 2007 by Janda Gooding. No comments
George Lambert: Gallipoli and Palestine Landscapes, Conservation, Exhibition, Exhibition Tour, Gallipoli Mission, Janda's Blog about Gallipoli, Symposium

Windamere, Cobbitty

Lenore Heath who works in the Photographs section at the Memorial has an interesting link to George Lambert. Lenore’s grandparents, Ben and Alice Heath, owned the guesthouse ‘Windamere’ where Lambert died in May 1930.

Ben was born in Slough, England in 1887 and migrated first to New Zealand and then Australia, settling in Sydney. He married Alice Ward in 1915 and shortly after enlisted in the Australian Flying Corps, serving three months in Egypt as a sergeant air mechanic before being invalided back to Australia after being diagnosed with an ‘irritable heart’.

The dining room and river views, Windamere

Ben and Alice bought the property in Cobbitty in late 1925. It backed onto the Nepean River and was ideal for a guesthouse. In 1928 they built ‘Windamere’ that boasted facilities including its own electricity plant (bought from a Kings Cross theatre), a nine hole golf course and polo ground, dining, lounge and dance rooms, and a resident pianist. Activities advertised included billiards, tennis, table tennis, shooting, horse riding, swimming, and fishing. Ben and Alice were helped by their four children one of whom was Jeffrey, Lenore’s father.

In May 1930 Lambert stayed at ‘Windamere’. Lambert had contacted his friend Brigadier General George Macleay Macarthur-Onslow to ask about horses he could ride during his rest break. Macarthur-Onslow suggested that the owner of ‘Windamere’, Ben Heath would have some good horses, but Lambert decided to take his own horse ‘Old Iron’. Although Lambert was under medical instructions to have complete rest, this did not stop him from riding ‘Old Iron’.

It was at ‘Windamere’, that Lambert, while repairing a feedbox had a heart attack and died. A newspaper reported the incident: “Yesterday morning he [Lambert] took some light exercise, and, in the early afternoon, he decided to get a piece of timber to mend a feed-box. He walked directly to the wood-heap, and as he was about to split a piece of wood he fell forward unconscious. Help was quickly forthcoming, and Dr. Crookston, who was summoned, made a hurried journey to Windamere, but the famous artist was then beyond aid.”

‘Windamere’ continued operating for some years but business declined and the Heaths sold it. During the Second World War Ben enlisted in the US Army Small Ships Division and served in the South West Pacific for ten months. His son Jeffrey served in 30 Squadron, RAAF in Papua New Guinea and fortunately father and son were able to meet in New Guinea twice during the war.

Today, the 100 acre Windamere property is surrounded by the rapidly growing outer suburbs of Sydney’s south west. 

Lenore Heath and Janda Gooding

Double trouble

13 December 2006 by Sharon Alcock. No comments
George Lambert: Gallipoli and Palestine Landscapes, Conservation, Exhibition

Exciting things don’t happen every day in the Memorial’s Painted Surfaces Lab. For us, work on the Lambert exhibition mostly involves framing and glazing issues. The frames were originally covered in bronze leaf, but sometime later, probably in the 1960s, many of them were spray painted with nitro-cellulose based gold paint. Some of the mouldings on the frames have also been damaged or are missing. Our job is to remove the gold paint, rebuild any lost or damaged parts, retouch where necessary and glaze the painting ready for exhibition. A certain sameness can therefore creep into the work.

Every so often, however, a painting will come along that gives us a new challenge. Achi Baba from Tommy’s Trench, Helles was one of those paintings. There was great excitement when we removed it from its frame and discovered another sketch on the back. Instead of covering it up again, it was decided to frame the back of the work in such a way as to ensure that the sketch on the back remained visible. The challenge was to make sure it looked the same as the other frames for the exhibition.

Lambert frame before treatment

Lambert frame during treatment

Lambert frame before and during treatment

In accordance with our usual practice, the gold paint on the frame was removed. The moulding had been repaired previously but some pieces had not been replaced and others had been put in the wrong place. The latter were removed and new mouldings were made using impressions taken from undamaged frames. The repairs and damaged areas of bronze leaf were then inpainted with bronze pigments. As we did not want to change the depth of the frame our options were limited. It was decided to glaze the verso with thin perspex and to use a window mount to keep it away from the painting. Brackets were hand made from brass and the colour of the build up was continued onto the back of the frame.

Front of Lambert frame after inpainting

Back of Lambert work after treatment

Although the sketch on the back is upside down, it is still visible for future reference. At the same time the frame will sit flush against the wall for exhibition and will appear just like the other frames around it.

Sharon Alcock, Conservator, Painted Surfaces

For some more detail on the sketch that was uncovered see the post The rail journey from Gallipoli to Cairo