Preparations for the Memorial’s new travelling exhibition Of love and war are nearly complete. The showcases are being built, all the labels and captions are being printed and we’ve been in the recording studio as well.

A large part of the Memorial’s collection relating to love during wartime comes from private records, particularly the letters that were exchanged between lovers separated by conflict.

However, an exhibition is a very visual experience and actually reading many of these letters (faded by time in some cases, terrible handwriting in others) is a hard task, especially in an exhibition setting. So we decided to bring them to life in another way. Last week several Memorial staff members put aside their day-to-day tasks and assumed the identities of 15 men and women who not only experienced the hardship of separation from their loved ones, but wrote about it in amusing, eloquent and often heartbreaking letters.

Jennifer Selby, Assistant Curator of Film and Sound, tastes life on the other side of the studio, recording letter extracts from the collection

Extracts from these letters were recorded in the sound studio and will be cut together in the next week or so to provide an audio backdrop to the section of the exhibition which looks at the importance of receiving letters, and gifts, from husbands, wives, girlfriends and boyfriends. We plan to make this recording available on the website soon. In the meantime, I’ll leave you with one of the extracts:

“Marie mine, I want to get back to you again, I want so much to have you in my arms, making love to you and cuddling you close to me. When will that come again, Girlie? If I had ever thought I would be so long away from my own Wifie, I would never have enlisted. This is not life to me, being away from you.”

That was written by Lieutenant Peter McFarlane, 34th Battalion AIF, to his wife Marie in June 1917. He was killed in action at Villers-Brettonneux a year later.

Back in September, I was doing some work out at our Treloar Annex, which is where our conservators work.  I was videoing the construction process of the mannequins being made for the 3 wedding dresses  that are to be included in the “Of love and war” exhibition. During a break in filming I got talking to Jessie Firth, who was working on one of the wedding dresses .  She was applying fake perspiration to material to see what effect it would have.  Picking up my trusty camera, I went down to the conservation lab and the following is an interesting account of just what 65 year old perspiration can do to a wedding dress and how conservators plan to tackle the problem it presents.  

Sweat on a 60 year old wedding dress

Here is the first of several blog posts about the wedding dreses being considered and conserved for our upcoming Of love and war exhibition.

Recently the Textile Conservation Laboratory retrieved from storage four wedding dresses that are proposed for the up and coming exhibition Of love and war.  Three of the dresses – originally owned Mrs Isabel Bell, Mrs Audrey Norton  and Mrs Norma. Bissaker – are relatively new to the Memorial’s collection and have not undergone any detailed conservation treatment. The fourth dress – owned by Mrs Violet Glover – has been fully conserved as it was used in an earlier exhibition . The pictures attached show what the dresses look like in their storage boxes. 

Wedding dress of Miss Isabel Margaret Platt-Hepworth

Wedding dress of Mrs Audrey Norton

Wedding dress of Norma Bissaker

wedding dress of Mrs V B Glover 001

Once curators select these items as potential objects for display in the exhibition, textile conservators have to carefully document the condition of the wedding dresses. Part of this process is to determine if they are stable and strong enough for display on mannequins for this exhibition. Special consideration is given to the materials when assessing if they are able to be displayed not only at the Memorial, but also at the venues around Australia they will travel to in 2010 and 2011.

The Memorial recently acquired a mysterious letter. It is beautifully written and decorated, but we don’t know much about it. It seems it was written by a French woman to her sweetheart, and we assume he was Australian, as the letter ended up in Australia. We do not know who they were, but we do know that the letter was written on 25 August 1918 and was sent from Saint-Sulpice-les-Feuilles in France. The writer, Martha (or perhaps Marthe) Gylbert, obviously missed her soldier, and went to a great deal of trouble to decorate the letter. It seems that the two were engaged to be married, as the letter ends with the words (almost obscured with kisses) “wife to be very soon”.

First page of a letter written in France in 1918. PR03970