Tyne Cot British Cemetery, Broodseinde Passchendaele

Depicts the Tyne Cot British Cemetery at Passchendaele with a German pillbox at the right of the image and a stake and helmut on top of it. Tyne Cot is the largest British War Cemetery in the world with 11,908 graves registered (British, Australian, New Zealand) of which 70% are unknown. On the wall at the back of the cemetery are the names of 34,927 soldiers who have no known grave and died from August 1917 to the end of the war - a continuation of the names inscribed on the Menin Gate. The name 'Tyne Cot' is said to originate (there is some dispute over this) from a reference by Northumberland Fusiliers during the war to the likeness of the German pillboxes to Tyneside cottages. The painter, teacher and etcher John Goodchild was born in London and arrived in Adelaide in 1913. He was initially employed as a sign writer and draughtsman before studying at the South Australian School of Arts and Crafts in 1920. From 1934 he taught there, becoming its principal from 1941-45. During the First World War Goodchild joined the AIF, serving in France where he contributed drawings to the field paper, 'The Digger'. This resulted in him being commissioned to do 36 drawings of the war cemeteries in France for the 1920 publication 'Where the Australians Rest'. During the 1920s he studied at the Central School of Arts and Crafts in London and taught there form 1928-29. Throughout his life, Goodchild travelled extensively, visiting Europe, New Zealand, the South Pacific, Hong Kong and Japan. In 1930 he returned to Adelaide and in 1934 was appointed a member of the South Australian School of Arts and Crafts. In April 1945 he joined the AIF as a Lieutenant and was appointed an official war artist. During his commission, Goodchild was initially located at Point Cook, Jervis Bay and in Sydney. From June 1945 he was sent to the South-West Pacific area and went to Japan in 1946, particularly Ofuna, to cover the 'Japanese surrender and the activities of the allied occupation forces'. From 1940-53 he was a member of the Board of the Art Gallery of South Australia and again from 1961-68. He died in Adelaide in 1980.