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	 <eadid type="filename">Australian War Memorial. Photographs, Film and Sound "bradbury.xml"</eadid>
	 
	 <filedesc> 
		<titlestmt> 
		  <titleproper>Guide to  David Bradbury's 'Frontline', Vietnam 1962 -
1972</titleproper>
		  
		</titlestmt> 
		<publicationstmt> 
		  <num><lb/><lb/><extptr
href="/images/findingaids/bradburyanddavis.jpg"/></num><publisher>Photographs,
Film and Sound<lb/>Canberra, ACT</publisher> 
		  <date> <![CDATA[©]]> Photographs, Film and Sound. Australian War
Memorial, 2005.
All
			 rights reserved.</date> 
		</publicationstmt> 
	 </filedesc> 
	 <profiledesc> 
		<creation>Processed by: Antoni Rudnicki, 2004<lb/>Encoded
		  by: Antoni Rudnicki, Assistant Curator - Film 
		  <date>Date completed: April 2005</date></creation> 
		<langusage>Finding aid written in: <language>EN</language> </langusage> 
	 </profiledesc> 
  </eadheader> 
  <archdesc level="collection" langmaterial="EN"> 
	 <did> 
		<head>Summary</head> 
		<unittitle label="Title:">David Bradbury's <emph
render="italic">Frontline</emph></unittitle>
		
		<unitdate label="Date range of collection:">1978–79</unitdate>
		
		<physdesc label="Extent:"><extent>Three hundred  minutes of sound; 36,500
feet of film;
three boxes of documentation.</extent>
		  </physdesc>
		<repository label="Location:">Film Collection, Photographs, Film and Sound
Section, Australian War Memorial, Canberra ACT</repository> 
		<abstract label="Abstract:">The collection includes film, sound, transcripts
and related documentation pertaining to <emph render="italic">Frontline</emph>,
a documentary by David Bradbury on Australian news cameraman Neil Davis's
11-year experience covering the Vietnam War for Visnews.  The film, sound and
supporting documentation include the out–takes and final version of
<emph render="italic">Frontline</emph>,  correspondence and interview
transcripts with Australian journalists who covered Vietnam, and footage shot
by Davis for Visnews, with accompanying dope sheets.   
</abstract>



	 </did> 
	 <admininfo> 
		<head>Administrative information</head> 
		<processinfo> 
		  <head>Provenance:</head> 
		  <p>In 1977 the Australian War Memorial awarded David Bradbury a Research
Grant of $4,500 to aid the production of his Masters thesis, which proposed to
document
in  film format "Australia's involvement in the Vietnam War as seen through the
television
camera lens and the eyes of the correspondents covering it". 
The project evolved into the documentary film <emph
render="italic">Frontline</emph>. As part of a further grant in 1980 Bradbury
deposited a print of <emph render="italic">Frontline</emph> at the Memorial. In
1990 the Memorial acquired the original film and sound material, documentation
and transcripts, as well as Davis's Visnews footage relating to
<emph render="italic">Frontline</emph>.  </p>

		</processinfo> 
		<accessrestrict> 
		  <head>Access:</head> 
		  <p>Open</p> 
		</accessrestrict> 
		<userestrict> 
		  <head>Restrictions on use:</head> 
		  <p>Copyright of materials described in this guide is governed by
			 copyright law in Australia. For further information contact the Senior
Curator of  Film &amp;  Sound.</p> 
		</userestrict> 
		<prefercite> 
		  <head>Preferred citation:</head> 
		  <p id="bold">David Bradbury's <emph render="italic">Frontline</emph></p>

		</prefercite> 
	 </admininfo> 
	 <add> 
		<head>Additional information</head>
		<relatedmaterial> 
		  <note label="Related collections: "> 
			 <p>PR00223 Papers of
Neil Brian Davis<lb/>Bradbury's films <emph render="italic">Public Enemy Number
One</emph> and <emph render="italic">In the eye of a
storm.</emph></p>

		  </note> 
		</relatedmaterial> 
	 </add>
	 <controlaccess> 
		<head> Keywords: </head> 
		<controlaccess><head>Subject</head>
<subject>War correspondents; Photographers; Vietnam 1962 – 1972; Southeast
Asia; Cambodia
</subject>
</controlaccess> 
	 <controlaccess><head>Names</head>
<subject>Neil Davis

</subject>
</controlaccess></controlaccess> 
	 <bioghist> 
		<head id="biog">Biographical note</head> 
		<note> 
		  <p>David Bradbury</p>
		  
		</note> 
		<p>Born in Sydney in 1951.  
Bradbury attended Australian National University in Canberra from
1970 to 1972 and
worked part-time and during summers at the <emph render="italic">Canberra
Times</emph>, the <emph render="italic">Canberra Courier</emph> and the ABC
before graduating with a Bachelor of Arts majoring in political science and
history. 

<lb/><lb/>Following a stint working as a journalist at Radio 2GO in Gosford,
NSW, Bradbury joined the ABC in Sydney in 1973 as a radio and television news
journalist.

 In 1974 he took up a Rotary Graduate Fellowship studying broadcast journalism
towards  a Masters in Journalism at West Virginia University, USA and developed
the
initial <emph render="italic">Frontline</emph> concept for his thesis.  In 1975
the
Fellowship culminated in a two-month summer school course in Rome where
Bradbury received instruction from veteran foreign correspondents from three US
networks.  

<lb/><lb/>By the time the filming of <emph render="italic">Frontline</emph>
began in 1979, Bradbury's experience gained from working as a freelance
journalist in
Europe included coverage of the Spring Revolution in Portugal, the overthrow of
the Greek military junta and the last days of the Shah's regime in Iran. For
six months he worked in Tehran for the National Iranian Radio and Television
before returning to Australia.  In 1977 he went to Papua New Guinea to
capture the first-ever interviews with the
Free Papua Movement guerrillas in their struggle against the Indonesians.

<lb/><lb/>Bradbury's oeuvre of widely-acclaimed documentaries includes:
<emph render="italic">Public Enemy Number One</emph> (1981);
<emph render="italic">Nicaragua - No Pasaran </emph>(1982), recipient of a
special certificate of High Merit at the 1985 Academy Awards;
<emph render="italic">Chile: Hasta Cuando? </emph>(1986); <emph
render="italic">State of Shock </emph>(1988), which focuses on the consequences
of cultural ostracism of Aboriginal Australians; and <emph render="italic">The
Battle For Byron </emph>(1996), a film about the community fight for the
preservation of Byron Bay, a popular holiday location  on the eastern-most
point of Australia.

<lb/><lb/>A prolific documentary film-maker, Bradbury continues to make
powerful messages through his use of the film medium.</p> 
		<note> 
		  <p>References:</p> 
		</note> 
		<p> 
		  <bibref> 
			 <name>Tim Bowden</name><title> One crowded hour </title>
<imprint>(Sydney: Collins, 1987)</imprint></bibref><lb/>
		  
		  
		  
		  <bibref></bibref></p>
		
	 </bioghist> 
	 <scopecontent> 
		<head id="desc">Scope and content note</head> 
		<p><lb/><emph render="bold">History of the collection</emph>
<lb/>Bradbury donated archival footage as part of the 1977 Australian
War
Memorial research grant for his Vietnam documentary film that eventually
became <emph render="italic">Frontline</emph>. 

<emph render="italic">Frontline</emph> was  filmed in 1978. 
Bradbury's initial theme of Australian
correspondents who covered the Vietnam War is difficult to realise as 
Australian
journalists were not in Vietnam for any continuous length of time.  But from
these preliminary interviews Bradbury captures some rare footage of Australian
correspondents reflecting on the media coverage of the war, and catalyse a
change in  the
direction  of the film. The focus of <emph render="italic">Frontline</emph>
shifts as Bradbury, acting on suggestions from other Australian correspondents,
finds a natural subject matter in Australian Neil Davis, whom he meets that
year while  on leave in Sydney.  Davis, a
cameraman for Visnews, an international news agency,  in his 11th year
covering the war had more exposure to combat than any soldier.

Interviews of Bradbury for <emph render="italic">Frontline</emph> were shot in
1979 in Bangkok as Bradbury
and Davis were denied visas to enter Hanoi. In between Davis's assignments
filming action of the Vietnamese invasion of Cambodia from the Thai border. 
Billed as "an
eyewitness account of the Vietnam War" <emph render="italic">Frontline</emph>
features Davis's Visnews footage.<lb/><lb/><ref target="one"><emph
render="bold">Series 1:
Frontline</emph></ref>

<lb/>This final version of the film <emph render="italic">Frontline</emph>  
was released by David Bradbury in 1980<lb/><lb/><ref target="two"><emph
render="bold">Series 2:
Out-takes</emph></ref>

<lb/>Forty-one out-takes  of interviews with Neil Davis from footage filmed for
<emph render="italic">Frontline</emph><lb/><lb/><ref target="three"><emph
render="bold">Series 3: Visnews
				
				footage filmed by Neil Davis in Vietnam, 1964–74
</emph></ref><lb/>Thirty
seven Visnews
film items shot by Neil Davis<lb/><lb/><ref target="four"><emph
render="bold">Series 4: Out-takes
of <emph render="italic">Frontline</emph> </emph></ref>

<lb/>Twenty-eight interviews with correspondents other than Neil Davis
including: Tim Bowden, journalist for the Australian Broadcasting Commission
(ABC), South East Asia 1965–67; Mike Carlton, journalist for the ABC,
South
Vietnam 1966–67 and 1970; Anthony Ferguson, journalist for the ABC,
South
Vietnam 1964–69; Cynthia Ferguson, wife of ABC journalist Anthony
Ferguson,
South Vietnam 1964–1969; Noel Bennell, journalist for Channel 10, South
Vietnam
1972; Phillip Koch, journalist for the ABC, South Vietnam 1967; Brian Peck,
journalist for the ABC, South Vietnam 1968–70; Kim Simmons, wife of ABC
journalist Donald Simmons, South Vietnam 1960–66; Donald Simmons,
journalist
for the ABC, South Vietnam 1960–66; Jim Revitt, journalist for the ABC,
South
Vietnam 1966–67; Gerald Stone, journalist for News Limited, South
Vietnam
1965 and the ABC, South Vietnam 1970; Mike Willesee, journalist for the Daily
News, Macquarie Broadcasters, South Vietnam 1967 and the ABC, South Vietnam
1969 and 1970; Graham McInerney, photographer for the Adelaide Advertiser,
South Vietnam 1968–69; Dennis Warner, journalist for the Herald &amp;
Weekly
Times, South Vietnam 1964–72 and John Fairfax &amp; Sons Ltd, South
Vietnam
1966–68; Pat Burgess, journalist for John Fairfax &amp; Sons Ltd, South
Vietnam 1965, 1966 and 1967–68; Peter Leyden, cameraman for News
Limited,
South Vietnam 1969; Robert Greenwood, cameraman for the American National
Broadcasting Company Inc (NBC), South Vietnam 1966; Ian Mackay, journalist for
the Independent Television News (ITN) and the ABC, South Vietnam
1965–66;
Alan Hogan, journalist for the ABC, South Vietnam 1975; Don McLeod, cameraman
for Columbia Broadcasting Commission (CBS), South Vietnam 1975; Brian Taylor,
cameraman/correspondent for the ITN and the ABC, South Vietnam 1965–66;
Les
Profitt, cameraman for the ABC, South Vietnam 1965; Darrell Ford, photographer
Australian Army Intelligence Corps Headquarters Australian Force, South Vietnam
1966; Trevor Murrell, editor for the ABC, South Vietnam 1962–72; Les
Wasley,
cameraman for the ABC, South Vietnam 1975; Bill Pinwell,
a journalist for the ABC, South Vietnam and Cambodia 1967–71.

<lb/><lb/><emph render="bold"><ref target="five">Series 5: 
<emph render="italic">In the eye of a
storm</emph> out-takes</ref> </emph>

<lb/>Fourteen out-takes  of interviews with Neil Davis <emph render="italic">In
the eye of a storm</emph> 
footage shot by David Bradbury.  <lb/><lb/><ref target="six"><emph
render="bold">Series 6:
Original sound tapes</emph></ref><lb/>Thirty-eight
items, two of which relate to Neil Davis and 32 of which relate to
other correspondents, plus one recording of sound effects and three recordings
of Lyndon Johnston.<lb/><lb/><ref target="seven"><emph render="bold">Series 7:
Related
documentation</emph></ref><lb/>David
Bradbury's research and list of questions for Davis and other
interviewees; content listing for various cuts of the film; negative report
sheets
listing camera rolls; transcripts of interviews; dubbing charts; two original
posters for <emph render="italic">Frontline</emph>; 
<emph render="italic">Frontline</emph> editing worksheets; storyboards, sheet
music played during credits.<lb/>Neil Davis's personal notes and letters to
David
Bradbury;
letters from other
war correspondents to David Bradbury; selected Visnews dope sheets; collection
of press clippings on <emph render="italic">Frontline</emph>. ABC Radio Guide;
12  black-and-white photographs of Australian war correspondents;
transcript of Tim
Bowden's interview with Neil Davis.

<lb/></p> 
	 </scopecontent>
	  
	 <organization> 
		<head>Collection list</head> 
		<list type="deflist"> 
		  <listhead> 
			 <head01>Collection Number:</head01> 
			 <head02>Collection title and date:</head02> 
		  </listhead> 
		   
		  <defitem> 
			 <label>
				<ref target="one"> Series 1: F10474</ref></label>
			 
			 <item> 
				<ref target="one"><emph render="italic">Frontline</emph>, 1979</ref></item>
			 
		  </defitem> 
		<defitem> 
			 <label>
				<ref target="two"> Series 2: F10475–F10501</ref></label>
			 
			 <item> 
				<ref target="two">Out-takes of interviews with Neil Davis,
1979</ref></item>
			 
		  </defitem><defitem> 
			 <label>
				<ref target="three"> Series 3: F10502–F10538</ref></label>
			 
			 <item> 
				<ref target="three">Visnews
				
				footage filmed by Neil Davis, 1964–74</ref></item>
			 
		  </defitem><defitem> 
			 <label>
				<ref target="four"> Series 4: F10539–F10566</ref></label>
			 
			 <item> 
				<ref target="four">Out-takes
of <emph render="italic">Frontline</emph></ref></item>
			 
		  </defitem><defitem> 
			 <label>
				<ref target="five"> Series 5: F10567–F10580</ref></label>
			 
			 <item> 
				<ref target="five">Out-takes of interviews with Neil Davis,
1978</ref></item>
			 
		  </defitem><defitem> 
			 <label>
				<ref target="six"> Series 6: S03265–S03302</ref></label>
			 
			 <item> 
				<ref target="six">Original sound tapes</ref></item>
			 
		  </defitem><defitem> 
			 <label>
				<ref target="seven"> Series 7: Boxes 1–3</ref></label>
			 
			 <item> 
				<ref target="seven">Related documentation 1964–74</ref></item>
			 
		  </defitem></list> 
	 </organization><dsc type="in-depth"> 
		<head>Collection description &amp; item list</head><c01 level="series"><did> 
			 <unittitle id="one">Series 1: <emph
render="italic">Frontline</emph><unitdate>,1979</unitdate>
				</unittitle> 
			 <abstract> <emph render="italic">Frontline </emph></abstract>



		  </did> 
			 <add>
				<table>
				  <tgroup cols="3"><colspec colnum="1" colname="col1"
colwidth="*"/><colspec colnum="1" colname="col2"
colwidth="*"/><colspec colname="col03" colnum="3"
colwidth="*"/><colspec colnum="4" colname="col3" colwidth="*"/>
					 <tbody>
						<row> 
						  <entry colname="col1"><emph render="bold">Accession
							 number</emph></entry> 
						  <entry colname="col2"><emph render="bold">Title, date and
							 description</emph></entry><entry colname="col03"><emph
render="bold">Format and
duration</emph></entry> 
						  <entry colname="col3"><emph render="bold">Note</emph></entry>
						</row>
						<row> 
						  <entry colname="col1">F10474</entry> 
						  <entry colname="col2">David Bradbury's documentary film on Australian
television news cameraman/correspondent Neil Davis and his experience of the
war in Vietnam and Cambodia. Davis had spent 11 years covering the war mainly
for Visnews and, later towards the end of the conflict, as freelance cameraman.
He saw the escalation of the war from the direct American involvement in 1964
to the fall of the governments in Cambodia and South Vietnam. Davis was the
only western journalist to film the collapse of the Republic of Vietnam during
the North Vietnamese invasion in 1975 and his footage taken of the North
Vietnamese tanks crashing trough the gates of Presidential Palace has become
one of the iconic images of that war. 

<lb/><lb/>Bradbury skilfully combines contemporary interviews with Davis shot
in Australia and Thailand with period film, much of which is made up of Davis's
own striking footage filmed in front line combat.  The story of the war and
Davis's sympathy for Vietnamese and Cambodian people and personal ethic to
portray the truth emerge in the interview segments. Davis was committed to
trying to show the war from the Vietnamese and Cambodian perspective to try and
balance the coverage by the broadcasting networks which tended to show only the
United States involvement. 

<lb/><lb/><emph render="italic">Frontline </emph>has won numerous awards and
was nominated for the 1981 Academy Award for best documentary. 
</entry><entry colname="col03">16mm; sound; colour; 54 min 4 sec </entry> 
						  <entry colname="col3"></entry>
						</row>
						
						
						
						
					 </tbody>
				  </tgroup>
				</table>
			 </add> 
		  </c01><c01 level="series"> 
			 <did> 
			 <unittitle id="two">Series 2: Out-takes of interviews with Neil Davis,
				
				<unitdate>1979</unitdate>
				</unittitle> 
			 <abstract>The out-takes are from Bradbury's interviews with Davis in
Bangkok
for <emph render="italic">Frontline </emph></abstract>



		  </did> 
			 <add>
				<table>
				  <tgroup cols="4"><colspec colnum="1" colname="col1"
colwidth="1.00*"/><colspec colnum="1" colname="col2" colwidth="1.00*"/><colspec
colnum="2" colname="col3" colwidth="1.00*"/><colspec colname="col4" colnum="3"
colwidth="1.03*"/>
					 <tbody>
						<row> 
						   
						  <entry colname="col1"><emph render="bold">Accession
							 number</emph></entry><entry colname="col2"><emph render="bold">Title,
date and
							 description</emph></entry> 
						  <entry colname="col3"><emph render="bold">Format and
duration</emph></entry><entry colname="col4"><emph render="bold">Notes and
accessories</emph></entry>
						</row>
						
						<row> 
						   
						  <entry colname="col1">F10475</entry><entry colname="col2">Interview
with Neil Davis Roll 1 (Frontline
out-takes), 25 January 1979.<lb/>Neil Davis as a cameraman correspondent,
describes
a free fire zone and its impact upon Vietnamese peasants; attitude of United
States soldiers and their experience of the Vietnamese; Viet Cong opinion of
their enemy. </entry> 
						  <entry colname="col3">16mm;  sound; colour; 10 min 41 sec.</entry>
<entry colname="col4">Bradbury calls out that this is Roll 3 at start of take
1; interview concludes as sound only after film runs out. Related item:
transcript.</entry>
						</row>
						<row> 
						   
						  <entry colname="col1">F10476</entry><entry colname="col2">Interview
with Neil Davis Roll 2 (Frontline
out-takes), 25 January 1979.<lb/>Neil Davis as a cameraman correspondent,
describes
the training and equipment of United States (US) forces and how they were
poorly deployed; compares the effectiveness of US forces and the Army of the
Republic of Vietnam (ARVN) against the Viet Cong (VC) and North Vietnamese Army
(NVA); VC offensive tactics; ARVN offensive tactics; US defensive tactics.
</entry> 
						  <entry colname="col3">16mm; sound; colour; 10 min 49 sec</entry>
<entry colname="col4">Original negative cut for use in 'Frontline'; title
filler 'Scene extracted' spliced in where the cut was made; interview concludes
as sound only after film runs out. Related item: transcript.</entry>
						</row>
						<row> 
						   
						  <entry colname="col1">F10477</entry><entry colname="col2">Interview
with Neil Davis Roll 3 (Frontline
out-takes); 25 January 1979.<lb/>Neil Davis as a cameraman correspondent
describes
Viet Cong (VC) tactics used against United States (US) and Australian troops;
Australian troops' jungle warfare tactics, and how the VC adapted to them;
Australian troops' casualty rate due to landmines and booby traps; achievement
of Australian, US and South Korean forces; his opinion on the value of their
achievement. </entry> 
						  <entry colname="col3">16mm; sound; colour; 10 min 53 sec</entry>
<entry colname="col4">Interview concludes as sound only after film runs
out. Related item: transcript.</entry>
						</row>
						<row> 
						   
						  <entry colname="col1">F10478</entry><entry colname="col2">Interview
with Neil Davis Roll 4 (Frontline
out-takes), 25 January 1979.<lb/>Neil Davis as a cameraman correspondent
describes
the Australian Army Training Team Vietnam (AATTV); Viet Cong (VC) and compares
their rifles and mortars to those of US forces; consequences of faults with the
US M16 assault rifle;
armoured vehicles in the monsoon season.</entry> 
						  <entry colname="col3">16mm; sound; colour; 10 min 35 sec.</entry>
<entry colname="col4">Related item: transcript.</entry>
						</row><row><entry colname="col1">F10479</entry><entry
colname="col2">Interview with Neil Davis Roll 5 (Frontline out-takes), 25
January 1979.<lb/>Neil Davis as a cameraman correspondent describes the US
media focus; casualty statistics; his reasons for accompanying South Vietnamese
forces; how naive US correspondents misinterpreted and misrepresented
events. </entry><entry colname="col3">16mm; sound; colour; 10 min 44
sec.</entry><entry colname="col4">Interview concludes as sound only after film
runs out. Related item: transcript.</entry></row><row>
<entry colname="col1">F10480</entry><entry colname="col2">Interview with Neil
Davis Roll 6 (Frontline out-takes),
25 January 1979.<lb/>Neil Davis as a cameraman correspondent describes major
events leading to the United States defeat; media representation of the Tet
offensive and the US political and public reaction; the narrow focus of US
media reporting the war; begins relating circumstances surrounding the
execution of a Viet Cong by General Loan. </entry><entry colname="col3">16mm;
sound; colour; 10 min 43 sec.</entry><entry colname="col4">Interview concludes
as sound only after film runs out. Related item: transcript.</entry></row><row>
<entry colname="col1">F10481</entry><entry colname="col2">Interview with Neil
Davis
Roll 7 (Frontline out-takes), 1979.<lb/>Neil Davis as a cameraman correspondent
continues relating circumstances surrounding the execution of a Viet Cong by
Police Chief General Loan; a later encounter with General Loan; the impact of
colour TV over black and white; US media censorship compared with Britain and
Japan; US Defence Department's policy restricting showing of US casualties and
his opinion on this. </entry><entry colname="col3">16mm; sound; colour; 10 min
41 sec.</entry><entry colname="col4">Original negative cut for use in
'Frontline'; title filler 'Scene extracted' spliced in where the cuts was
made. Related item: transcript.</entry></row><row>
<entry colname="col1">F10482</entry><entry colname="col2">Interview with Neil
Davis Roll 8 (Frontline out-takes),
1979.<lb/>Neil Davis as a cameraman correspondent describes his opinion on the
Australian Broadcasting Commission (ABC) censorship policy; the reason for
Visnews' existence; how his film was cut to present a distorted picture of the
Vietnam war to Australian viewers; how Visnews wrongly believed the war was
over with US withdrawal; his affinity with Asian people. </entry>
<entry colname="col3">16mm; sound; colour; 10 min 59 sec.</entry>
<entry colname="col4">Original negative cut for use in 'Frontline'; title
filler 'Scene extracted' spliced in where the cuts was made. Related item:
transcript.</entry></row><row>
<entry colname="col1">F10483</entry><entry colname="col2">Interview with Neil
Davis Roll 9 (Frontline out-takes), 1979.<lb/>Neil Davis as a cameraman
correspondent describes his film presentation style compared with that of the
TV networks; how his films were historical footage; how the course of the war
was changed by the media; the 'man with the white flag' incident; his opinion
on physically helping, and filming to help. </entry><entry colname="col3">16mm;
sound; colour; 10 min 44 sec.</entry><entry colname="col4">Original negative
cut for use in 'Frontline'; title filler 'Scene extracted' spliced in where the
cuts was made. Related item: transcript.</entry></row><row>

<entry colname="col1">F10484</entry><entry colname="col2">Interview with Neil
Davis Roll 10 (Frontline out-takes),
1979.<lb/>Neil Davis as a cameraman correspondent describes personal
repercussions after filming 'the man with the white flag' incident; how it was
eventually eclipsed by the My Lai massacre; compares his editing to that of the
TV networks; why he continued working for Visnews despite United States offers;
why he worked for NBC filming the fall of Saigon. </entry><entry
colname="col3">16mm; sound; colour; 10 min 36 sec.</entry><entry
colname="col4">Original negative cut for use in 'Frontline'; title filler
'Scene extracted' spliced in where the cuts was made; Interview concludes as
sound only after film runs out. Related item: transcript.</entry></row><row>
<entry colname="col1">F10485</entry><entry colname="col2">Interview with Neil
Davis
Roll 11 (Frontline out-takes), 1979.<lb/>Neil Davis as a cameraman
correspondent describes his opinion of Visnews' presentation of his film; hard
hitting stories sometimes downplayed in the editing; filming the overall story
to show the good and bad aspects; the degeneration of morals because of the
United States presence; prostitution as an envitable result of war; corruption
in the South Vietnamese forces; wide spread practice of phantom troops the
reason South Vietnamese units were under strength. </entry>
<entry colname="col3">16mm; sound; colour; 10 min 38 sec.</entry>
<entry colname="col4">Interview concludes as sound only after film runs
out. Related item: transcript.</entry></row><row>
<entry colname="col1">F10486</entry><entry colname="col2">Interview with Neil
Davis Roll 12 (Frontline out-takes),
1979.<lb/> Neil Davis as a cameraman correspondent describes reasons behind the
alleged disorder of South Vietnamese troops; how President Thieu's withdrawal
from the Central Highlands in 1975 demoralised the South Vietnamese forces; the
M16 assault rifle and the effect of its' high velocity rounds when they hit a
body; how he came to become a war correspondent; feelings about his work since
the end of the war in Indo China; lessons learned from combat experience. 
</entry><entry colname="col3">16mm; sound; colour;
10 min 35 sec.</entry><entry colname="col4">Original negative cut for use in
'Frontline'; title filler 'Scene extracted' spliced in where the cuts was
made. Related item: transcript.</entry></row><row>
<entry colname="col1">F10487</entry><entry colname="col2">Interview with Neil
Davis Roll 13 (Frontline out-takes),
1979.<lb/>Neil Davis as a cameraman correspondent describes how a South
Vietnamese double agent arranged for Davis to meet the Viet Cong; how a United
States officer friend of Davis held off for three days the B52 strikes when
Davis went with Viet Cong; effects of carpet bombing and cluster bombs.
</entry>
<entry colname="col3">16mm; sound; colour; 10 min 40 sec.</entry>
<entry colname="col4">Original negative cut for use in 'Frontline'; title
filler 'Scene extracted' spliced in where the cuts was made. Related item:
transcript.</entry></row><row>

<entry colname="col1">F10488</entry><entry colname="col2">Interview with Neil
Davis Roll 14 (Frontline out-takes),
1979.<lb/>Neil Davis as a cameraman correspondent describes the effects of the
B52 bombing and napalm, a Vietnamese village after a naplam attack and how an
angry peasant women threw the body of a dead dog at the feet of a United States
officer; brief description of going to film a Viet Cong village; vital
defensive role of the Army of the Republic of Vietnam (ARVN) around Khe Sanh;
hostility between United States Marine Corps and Army Air Cavalry and how some
Marines fired on the relief helicopters at Khe Sanh; briefly  on the beginning
of the war in Cambodia then film runs out.</entry><entry colname="col3">16mm;
sound; colour;
10 min 33 sec.</entry><entry colname="col4">Related item:
transcript.</entry></row><row>
<entry colname="col1">F10489</entry><entry colname="col2">Interview with Neil
Davis Roll 15 (Frontline out-takes),  5 February 1979.<lb/>Neil Davis as a
cameraman correspondent describes his working in Vietnam 1964-1975;
distribution of his film through out the world [sound brief drops out];
accompanying South Vietnamese troops for his first combat experience; the
sounds made by the weapons just like on war films; his preferring to stay in
Asia after developing a love for the people and land.  </entry>
<entry colname="col3">16mm; sound; colour; 8 min 17 sec.</entry>
<entry colname="col4">Original negative cut for use in 'Frontline'; title
filler 'Scene extracted' spliced in where the cuts was made. Related item:
transcript.</entry></row><row>
<entry colname="col1">F10490</entry><entry colname="col2">Interview with Neil
Davis Roll 16 (Frontline out-takes), 5 February 1979.<lb/>Neil Davis as a
cameraman correspondent describes his field equipment with demonstrations and
close ups of the Bell and Howell DR70 16mm silent, Cinema Products CP16 sound
on film cine cameras and portable cassette sound recorder; reasons for working
alone; boots and pungi sticks.  </entry><entry colname="col3">16mm; sound;
colour; 10 min 33 sec.</entry><entry colname="col4">Interview concludes as
sound only after film runs out. Related item: transcript.</entry></row><row>

<entry colname="col1">F10491</entry><entry colname="col2">Interview with Neil
Davis Roll 17 (Frontline out-takes),
5 February 1979.<lb/>Neil Davis as a cameraman correspondent describes how the
Viet Cong combined booby traps and ambushes; dangerous jungle creatures and the
story of how an American sentry was carried off by a tiger; awareness of booby
traps; crossing rivers; the difference between the war in South Vietnam which
was fought in the paddy fields and jungles to that in Camdodia which was fought
for the control of the highways; war zone taxi service and noodle sellers in
Cambodia. </entry><entry colname="col3">16mm; sound; colour;
10 min 49 sec.</entry><entry colname="col4">Interview concludes as sound only
after film runs out. Related item: transcript.</entry></row><row>

<entry colname="col1">F10492</entry><entry colname="col2">Interview with Neil
Davis Roll 18 (Frontline out-takes),
5 February 1979.<lb/>Neil Davis as a cameraman correspondent describes the lead
up to the Cambodian war; the symbolism of the Cambodian flag and how it was
carried before the troops in battle; President Nixon and Henry Kissinger
forcing Cambodia into war; how Nixon and Kissinger's tactics failed Cambodia;
His opinion of Nixon and Kissinger as war criminals. </entry>
<entry colname="col3">16mm; sound; colour; 10 min 40 sec.</entry>
<entry colname="col4">Original negative cut for use in 'Frontline'; title
filler 'Scene extracted' spliced in where the cuts was made. Related item:
transcript.</entry></row><row>

<entry colname="col1">F10493</entry><entry colname="col2">Interview with Neil
Davis Roll 19 (Frontline out-takes),
5 February 1979.<lb/>Neil Davis as a cameraman correspondent, describes his
opinion on film as history; his efforts to present history as it happens and
some of the difficulties in achieving this; why Visnews did not use 'the man
with the white flag' story; the reasoning of filming at the front line;
description of hand to hand fighting in Cambodia. </entry><entry
colname="col3">16mm; sound; colour;
10 min 54 sec</entry><entry colname="col4">Interview concludes as sound only
after film runs out. Related item: transcript.</entry></row><row>

<entry colname="col1">F10494</entry><entry colname="col2">Interview with Neil
Davis Roll 20 (Frontline out-takes),
5 February 1979.<lb/>Neil Davis as a cameraman correspondent, describes hand to
hand fighting methods in Cambodia; filming during close fighting; taking up a
weapon to defend a position that was being overun; explains why it was
sometimes impossible to get action footage in a battle; his refusual to take
film of soldiers firing after a battle; staged action shots common practice
with some of the news networks; hearing President Nixon on the radio announcing
a ceasefire in Indo China while beseiged in a Government outpost in Cambodia;
did not believe in Nixon's "peace with honour" statement. </entry>
<entry colname="col3">16mm; sound; colour; 10 min 40 sec.</entry>
<entry colname="col4">Original negative cut for use in 'Frontline'; title
filler 'Scene extracted' spliced in where the cuts was made. Related item:
transcript.</entry></row><row>

<entry colname="col1">F10495</entry><entry colname="col2">Interview with Neil
Davis Roll 21 (Frontline out-takes),
5 February 1979.<lb/>Neil Davis as a cameraman correspondent, describes events
during the siege of Kompong Selai, Cambodia; how besieged government troops
hunted the Khmer Rouge as food; the tenacity of the Cambodian Government troops
in the defence of Phnom Penh; United States desertion of Cambodia; his feelings
towards the communists after a rocket attack on a primary school, and his
reasons for continuing filming this. </entry><entry colname="col3">16mm; sound;
colour;
12 min 1 sec.</entry><entry colname="col4">Interview concludes as sound only
for 1 min 27 sec after film runs out; original negative cut for use in
'Frontline'; title filler 'Scene extracted' spliced in where the cuts was
made. Related item: transcript.</entry></row><row>
<entry colname="col1">F10496</entry><entry colname="col2">Interview with Neil
Davis Roll 22 (Frontline out-takes),
5 February 1979.<lb/>Neil Davis as a cameraman correspondent, opinion that
General Westmoreland was  brillant in logistics but not in tactics; the United
States (US) scale of commitment and the ratio of combat troops compared to
support troops; ratio of US to South Vietnamese dead; media portrayal of the
war; censorship in the US and Australia;the policy of not showing US casualites
on television; eighty or ninety cameramen or correspondents killed during the
war in South Vietnam and his injury count. </entry>
<entry colname="col3">16mm; sound; colour; 10 min 12 sec.</entry>
<entry colname="col4">Original negative cut for use in 'Frontline'; title
filler 'Scene extracted' spliced in where the cuts was made. Related item:
transcript.</entry></row><row>

<entry colname="col1">F10497</entry><entry colname="col2">Interview with Neil
Davis Roll 23 (Frontline out-takes),
1979.<lb/>Neil Davis as a cameraman correspondent, describes his feelings
regarding the twenty to thirty close correspondent friends killed in the war;
the heaviest fighting of the war at Quang Tri and the seige of An Loc during
the North Vietnamese 1972 Spring Offensive; shell shock among the beseiged
troops and the story of one ARVN (Army of the Republic of Vietnam)  soldier's
captured tank; South Vietnamese helicopter gunship attack on a village while
with the Viet Cong; inflitration by Viet Cong agents. </entry>
<entry colname="col3">16mm; sound; colour;
10 min 44 sec.</entry><entry colname="col4">Interview concludes as sound only
after film runs out. Related item: transcript.</entry></row><row>

<entry colname="col1">F10498</entry><entry colname="col2">Interview with Neil
Davis Roll 24 (Frontline out-takes),
1979.<lb/>Neil Davis as a cameraman correspondent, describes his first
experience in combat; how the first shot was just like in the movies; learned
latter that how green he was and that he was lucky to survive his first year;
learning to 'do as the soldiers do'; relative safety of the front line;
prefering the bullets of the front line to the shrapnel of the rear; effect of
shrapnel; tactics of advancing troops; seeking cover, reactions and luck in
combat situations; ninety percent experience and ten per cent luck; example of
luck when out of the five men in one patrol he was with a Viet Cong chose to
shoot the radio operator.</entry>
<entry colname="col3">16mm; sound; colour; 9 min 53 sec.</entry>
<entry colname="col4">Related item: transcript.</entry></row><row>

<entry colname="col1">F10499</entry><entry colname="col2">Interview with Neil
Davis Roll 25 (Frontline out-takes),
1979.<lb/>Neil Davis as a cameraman correspondent, describes learning
continually; danger of becoming divorced from the action; not becoming an
obvious target; witnessing the 'man with the white flag' incident at Hue as a
violation of the Geneva Convention; limited power of the newsman; his humanity
as a journalist.</entry><entry colname="col3">16mm; sound; colour;
6 min 14 sec.</entry><entry colname="col4">Related item:
transcript.</entry></row><row>
<entry colname="col1">F10500</entry><entry colname="col2">Interview with Neil
Davis Roll 2 Aranya Prathet (Frontline out-takes), 1979.<lb/>Neil Davis as a
cameraman correspondent, describes United States (US) fear of North Vietnamese
ground attack; South Vietnamese defence of the Khe Sanh perimeter; ironic end
at Khe Sanh and its effect on US morale.</entry>
<entry colname="col3">16mm; sound; colour; 4 min 12 sec.</entry>
<entry colname="col4"></entry></row><row>
<entry colname="col1">F10501</entry><entry colname="col2">Neil Davis on
assignment at Aranya Prathet on the Thai
Cambodian border during Vietnam's invasion of Cambodia (Frontline out-takes),
1979.<lb/>Neil Davis in an apartment being served a meal. Davis perched up a
tree looking over towards the Thai Cambodian border.  Thai soldiers in front of
border gate. Davis climbing down the tree. Davis on pillion of motorcycle
talking to other Western reporters. Davis arriving on pillion of motorcycle.
Davis carrying Cinema Products CP16 cine camera walking to and speaking with an
Asian photographer. Davis wearing head phones filming through the barded wire
barrier. Various shots of Davis filming amongst other reporters. Davis filming
Thai soldiers. Reporters relaxing playing backgammon.  Food and drink stalls
set up by locals. Various close up shots of Davis filming. Troops moving
towards the border post and smoke from a fire or explosion in the distance.
Davis with a plate of food. Davis speaking with police official.  Davis talking
to locals. Davis on the pillion of a motorcycle. Female reporter playing
backgammon with Thai officials.  Thai soldiers posing for camera at the border
gate. Close up of Republic of Cambodia frontier sign. Davis relaxing. Davis
loading camera magazine in a film change bag. Close ups of Davis threading film
in the camera. Various shots of activities at the border post. Davis relaxing.
Davis back in his apartment or hotel film equipment scattered over his bed. In
the field Davis walking away from the camera down a road. Several shots of
activities at the border post. Davis writing in a notebook. Reporters and other
relaxing.  Column of smoke on the Cambodian side of the border. Plastic bag
containing exposed film labelled 'Urgent TV' Several shots of Davis filming and
using exposure meter. Various scenes at the border, soldiers and reporters.
Davis changing camera magazine and writing on the film can. More shots of Davis
filming while smoking a cigarette. Davis arrives in a car. Davis speaking with
other reporters and examining a map of Cambodia.</entry><entry
colname="col3">16mm; silent; colour;
24 min 57 sec.</entry><entry colname="col4"></entry></row>
					 </tbody>
				  </tgroup>
				</table>
			 </add> 
		  </c01><c01 level="series"> 
			 <did> 
			 <unittitle id="three">Series 3: Visnews
				
				footage filmed by Neil Davis, <unitdate>1964-1974</unitdate>
				</unittitle> 
			 <abstract>Film footage shot by Neil Davis while covering the war in
Vietnam for Visnews.</abstract></did> 
			 <add>
				<table>
				  <tgroup cols="4"><colspec colnum="1" colname="col1"
colwidth="1.00*"/><colspec colnum="1" colname="col2" colwidth="1.00*"/><colspec
colnum="2" colname="col3" colwidth="1.00*"/><colspec colname="col4" colnum="4"
colwidth="1.03*"/>
					 <tbody>
						<row> 
						  <entry colname="col1"><emph render="bold">Accession
							 number</emph></entry> 
						  <entry colname="col2"><emph render="bold">Title, date and
							 description</emph></entry> 
						  <entry colname="col3"><emph render="bold">Format and
duration</emph></entry><entry colname="col4"><emph render="bold">Curatorial
Notes and
accessories</emph></entry>
						</row>
						
						
						
						
						<row>
<entry colname="col1">F10502</entry><entry colname="col2">South Vietnamese Army
Ranger in action in Cho Lon area (Visnews production number 4828-68), 8 May
1968.<lb/>South Vietnamese Army Rangers have been combing Saigon's Chinese
sector of Cho Lon trying to flush out die-hard Viet Cong. On Wednesday fighting
was continuing in parts of Cho Lon, but it was less fierce than during the
previous three days when the Viet Cong offensive on the capital began. About
300 Viet Cong were thought to be holding out in the Cho Lon area, where they
had hoisted a new red, blue and yellow Viet Cong flag only 4 miles (6 km) from
the Presidential Palace. Gunships blasted the burning shanty town as columns of
smoke rose high into the air, but failed to bring down the flag. Meanwhile,
tonight (10 May) the Viet Cong appeared to be pulling out from Saigon as peace
contacts between the United States and North Vietnam opened in Paris. But it is
thought the withdrawal could be a feint, and documents released by the American
mission are said to indicate that the fighting could continue for another five
days.
</entry>
<entry colname="col3">16mm; silent; colour; 1 min 9 sec.</entry>
<entry colname="col4">Related item: S03301</entry></row><row>
<entry colname="col1">F10503</entry>
<entry colname="col2">Swamps and mud are harsh opponents as American troops
patrol during Operation Eagle Flight in Kien Province (Visnews production
number 340-69), 4-6 January 1969.<lb/>Swamps, rice paddies and mud proved to be
a difficult enemy as American troops patrolled through parts of Kien Phong
Province on the Cambodian border early this week during Operation Eagle Flight.
The three day operation, involving troops from the 9th Infantry Division, took
place from last Saturday (4 January) to Monday (6 January). The Americans were
looking for Viet Cong in the area, 55 miles (89 km) southwest of Saigon, in the
Mekong Delta. In the wet swamps and the high grass where Operation Eagle Flight
was being held, the troops found conditions very difficult. Men were stuck in
mud and some had to be assisted by others who were on more solid ground. Loaded
with equipment and their weapons, the troops had a hard time making progress.
On Monday afternoon, after the completion of Operation Eagle Flight, US
Infantrymen attacked a Viet Cong company of about 700 men entrenched in bunkers
near Cao Lanh, in Kien Phong Province. In the 18 hour battle, 74 miles (118 km)
west of Saigon, 54 Viet Cong and 3 Americans were reported killed.
</entry><entry colname="col3">16mm; silent; colour;
1 min 20 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10504</entry><entry colname="col2">[US troops withdraw
from Vietnam] (Visnews production number 10214-69), 1969. <lb/>On 8 June 1969
President Richard M. Nixon announced a policy of 'Vietnamization' of the war
and
a reduction of United States forces in Vietnam.  Film shows US soldiers queuing
up dock side to board a amphibious assault carrier. Soldiers processed by a
clerk before proceeding up the gangway into the ship.
</entry>
<entry colname="col3">16mm; silent; colour; 59 sec.</entry>
<entry colname="col4">Related item: S03301</entry></row><row>
<entry colname="col1">F10505</entry>
<entry colname="col2">United States and South Vietnamese Forces push deeper
into Cambodia (Visnews production number 4151-70), 3-4 May 1970.<lb/>United
States and South Vietnamese forces pushing through Cambodia are said to have
wiped out a large number of Communist troops who have long used the 'Parrot's
Beak' and 'Fish Hook' areas of the country as sanctuaries. Since the dawn
invasion to wipe out Communist bases started last Friday, the number of Viet
Cong and North Vietnamese troops reported to have been killed numbers more than
one thousand. The vast firepower the invading forces have brought with them
cannot be matched by the Communist troops. The brunt of the invasion is being
led by tanks, but United States Air Force jets have also been landing support
with strafing and dive bombing runs on suspected enemy positions. On Monday
(May 4) heavy artillery bombarded suspected guerrilla positions in the Fish
Hook area while tanks moved into rubber plantations to lend support. Massive
hauls of arms, food and other equipment have been captured by the American and
South Vietnamese forces. Among the equipment seized were a lot of bicycles said
to have been used by the guerrillas. Tanks rode over the bicycles to destroy
them to prevent them from being used should they be found by the Viet Cong or
North Vietnamese.</entry><entry colname="col3">16mm; silent; colour;
1 min 44 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10506</entry><entry colname="col2">Fierce fighting for
the town of Srang (Visnews production number 8307-70), 1 September
1970.<lb/>Cambodian government troops are making a major effort to recapture
the town of Srang, 30 miles (45 km) south west of the Cambodian capital, Phnom
Penh. The government forces were driven out of Srang last Sunday (30 August).
On Tuesday (1 September), they fought their way back to within half a mile of
the town. In Tuesday's fighting, the government troops stationed themselves in
the rice paddies, with a leafy thicket screening them from the entrenched
Communist forces in the town. The Cambodian air force swept into action to
bombard the town, and the ground troops made use of the diversion to inch their
way forward through the water. The Cambodian forces had the advantage in
numbers, but the defenders were more experienced and had the greater firepower.
As a result they were able to force the government troops back, and inflict a
number of casualties. The Cambodian forces withdrew, dragging their wounded
away with them over the rough and waterlogged ground.
</entry>
<entry colname="col3">16mm; silent; colour; 1 min 15 sec.</entry>
<entry colname="col4">Related item: S03301</entry></row><row>
<entry colname="col1">F10507</entry>
<entry colname="col2">The battle for Saang [Khum Srang] (Visnews production
number 1162-71), 27 January 1971.<lb/>More than one hundred guerrillas were
killed by Cambodian troops on Wednesday (January 27) in the battle for Saang
[Khum Srang] 18 miles (30 km) south of the capital, Phnom Penh. Four Cambodian
soldiers were injured. This is the fourth time that the town, which lies on a
direct Viet Cong infiltration route between Vietnam and Cambodia, has been a
battleground in the 10 month old fighting in Cambodia.
In this latest battle, about 500 guerrillas surrounded Saang during the night,
but Cambodian troops hit back and removed the immediate threat to the town.
This action gave a boost to the morale of the Cambodian soldiers, said the news
agency report. The Cambodians have been involved in a string of successful
battles against the Viet Cong since the guerrillas blasted Phnom Penh airport
recently. They have opened the Highway Four road link between the capital and
the deep-water port of Kompong Som, and pushed the guerrillas further back from
Phnom Penh. The Cambodian High Command claim the guerrillas still in the area
have been dispersed into small groups incapable of launching and attack in
strength.
</entry><entry colname="col3">16mm; silent; colour;
2 min 10 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10508</entry><entry colname="col2">Cambodian Forces
counter attack around Saang [Khum Srang] on the vital Viet Cong route to
Vietnam (Visnews production number 1223-71), 29 January 1971.<lb/>The Cambodian
town of Saang [Khum Srang] epitomises the current war in that country. The
small collection of villages lies astride Route 21, used by the Viet Cong as a
route to and from Vietnam. Saang lies 18 miles (30 km) southeast of Phnom Penh.
Early on the morning of January 27 (Wednesday) an estimated 500 Viet Cong
attacked. They were repulsed but fell back to control Route 21 for several
miles on the Phnom Penh side. Later in the day the Cambodians counter attacked
and after several hours fighting regained control of the road. But then the
Viet Cong changed their tactics. They were being heavily pressed in many areas,
including along Highway 4 and around Saang, so they fought a diversionary
action by attacking the capital. Cambodian troops were rushed back from Saang
to protect Phnom Penh and the Viet Cong moved in again on the 28th. The next
day Government forces attacked and the bitterest fighting of the whole campaign
followed. The Cambodians claimed 100 Viet Cong killed and only four of their
men wounded. The area was once again in Cambodian hands, but with the past in
mind…for how long.
</entry>
<entry colname="col3">16mm; silent; colour; 2 min 13 sec.</entry>
<entry colname="col4">Related item: S03301</entry></row><row>
<entry colname="col1">F10509</entry>
<entry colname="col2">Battle for the town of Saang [Khum Srang] continues
(Visnews production number 1285-71), 30 January 1971.<lb/>Some 22 miles (36 km)
south east of Phnom Penh, is the town of Saang [Khum Srang 18 miles (30 km)
south west of Phnom Penh] (pronounced Sar - ung) - by Saturday, January 30th,
it had been under attack without respite for four days. Saang is a key point on
the vital Route 21 to Phnom Penh - the Communist troops have been in complete
control to the South for several months and the capture of Route 21 would mean
an invasion corridor straight into Phnom Penh. The 127th Infantry Battalion of
the Cambodian Army had been fighting along the same stretch of road for the
last three days in an attempt to reach Saang to relieve the garrison there. It
was at this point, with the enemy firing from both the wooded area on the West
and from across the Bassac (pronounced Bar - sac) River on the East, that
Visnews cameraman Neil Davis reached the embattled troops.</entry>
<entry colname="col3">16mm; silent; colour;
1 min 23 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10510</entry><entry colname="col2">Highway Four
Cambodian troops rout Communist Forces (Visnews production number 4744-71), 29
April 1971.<lb/>Cambodian troops fresh from fighting in Laos - not previously
known to have been there at all - have just routed Communist forces in a new
battle for the vital sea-link of Highway Four. They fought their way to within
two miles of a besieged Government garrison at the strategic Pich Nil Pass on
Highway Four, according to reports from Phnom Penh on Wednesday (April 28). The
troops are from the 201st Battalion who have just spent seven months fighting
on the Ho Chi Minh Trail in Laos under United States military guidance- facts
only revealed this week, according to the Visnews Hong Kong Bureau, who handled
this film from staff cameraman Neil Davis.</entry>
<entry colname="col3">16mm; silent; colour; 1 min 44 sec.</entry>
<entry colname="col4">Related item: S03301</entry></row><row>
<entry colname="col1">F10511</entry>
<entry colname="col2">Government Forces sustain heavy losses in Fighting near
Phnom Penh (Visnews production number 13772-71), 1971.<lb/>Government forces
sustained heavy losses west of Phnom Penh, near Khmer capital, over the
weekend, as they battled with Communist forces for control of the so-called
invasion route to the capital. This film shows the aftermath of the Communist
attack on a Khmer company, early on Sunday, at Prey Khiev Hill, about 10
kilometres north of Highway Four. Many civilian dependants of the soldiers
living on the hill died in the action.
</entry><entry colname="col3">16mm; silent; colour;
2 min 7 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10512</entry><entry colname="col2">[Khmer] Government
Forces drive back Communist troops in fierce paddy field battle (Visnews
production number 13978-71), 23 November 1971.<lb/>As forces of the Khmer
Government and Communist troops battle for control around the outskirts of
Phnom Penh, some of the heaviest fighting since the war escalated into the
country has been reported over the last few days. Last Tuesday (23 November),
Visnews cameraman Neil Davis accompanied a battalion of crack Khmer Krom troops
into a paddy field battle and shot this account of one of the bloodiest clashes
since the fighting around Phnom Penh began.
</entry>
<entry colname="col3">16mm; silent; colour; 2 min 10 sec.</entry>
<entry colname="col4">Related item: S03301</entry></row><row>
<entry colname="col1">F10513</entry>
<entry colname="col2">Colonel in pony drawn cart leads Khmer troops into
Communist territory (Visnews production number 14265-71), 29 November
1971.<lb/>A Khmer battalion led by a colonel in a pony-drawn cart edged
cautiously into communist territory last Monday (29 November) just north of the
capital of Phnom Penh. The day before the battalion lost 2 killed and 50
wounded in a similar attempt to proceed along the road, initially built as part
of a defensive ring around the capital. Visnews cameraman Neil Davis recorded
their advance of 3 miles (5 km), a slight dent in the continuing communist
pressure around Phnom Penh.
</entry><entry colname="col3">16mm; silent; colour;
1 min 7 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10514</entry><entry colname="col2">[Khmer] Government
and Communist forces in fierce close combat near Phnom Penh (Visnews production
number 14584-71), 6 December 1971.<lb/>Government and Communist forces were on
Monday (6 December) locked in a fierce close combat duel for control of the
western approaches to Phnom Penh. The fighting - mainly with mortars, automatic
rifles and hand grenades, took place only 10 to 15 miles (16 to 24 km) from the
capital. Spearheading the Khmer resistance were Vietnamese-born troops from the
crack Khmer Krom under the leadership of veteran Colonel Danh Kroch. Visnews
cameraman Neil Davis accompanied the soldiers as they battled against Communist
forces entrenched in a heavily wooded area.
</entry>
<entry colname="col3">16mm; silent; colour; 2 min 21 sec.</entry>
<entry colname="col4">Related item: S03301</entry></row><row>
<entry colname="col1">F10515</entry>
<entry colname="col2">Government Marines advance into Quang Tri Province move
comes as President Thieu pledges recapture of all lost territory (Visnews
production number 7676-72). South Vietnamese airborne troops penetrate into
Quang Tri City amid heavy North Vietnamese resistance (Visnews production
number 8756-72), 19 June 1972.<lb/>Visnews 7676/72: South Vietnamese Marines
have regained a foothold in Quang Tri Province seized by Communist units during
the early days of the latest North Vietnamese offensive. No details have been
given of Marine casualties in the fighting, but newsmen saw many injured
soldiers being carried back to the shelter of nearby dunes for evacuation by
helicopter. The Marines' drive into Quang Tri Province came as President Thieu
told a nationwide radio audience that South Vietnam would recapture all the
territory lost to the Communists. He said the North Vietnamese had failed to
defeat the South Vietnamese and he said the Communist units were now bogged
down. Visnews 8756/72: Continuous heavy fighting is raging in Quang Tri City in
the northernmost province of South Vietnam as South Vietnamese Airborne troops
attempt to wrest the city from the control of deeply entrenched North
Vietnamese. The battle for the city is part of a counter offensive to reoccupy
Quang Tri Province. It is reported that South Vietnamese forces were brought up
from the Central Highlands near Kontum City especially for the final ballet for
Quang Tri City, which promises to be long and bloody. South Vietnamese Airborne
Troops made their first advance into the city proper on Sunday (16 July)
supported by M48 tanks and South Vietnamese jets. US aircraft have been ordered
by President Thieu not to bomb within the city, but these bombers are
maintaining continuous heavy pounding of suspected North Vietnamese positions
on the outskirts of the city. By Sunday afternoon South Vietnamese troops had
advanced to within 100 metres of a heavy North Vietnamese concentration in an
old US compound. The South Vietnamese paratroopers intend to hold their ground,
and they told Visnews that they would continue to advance into the Citadel part
of the city, now within their reach. Intelligence reports say that at least
four North Vietnamese battalions are entrenched in the Citadel with orders to
fight to the last man.</entry><entry colname="col3">16mm; silent; colour;
1 min 57 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10516</entry><entry colname="col2">South Vieshock
wavestnamese in
tough battle to regain Quang Tri City from Communists heavy fighting force
civilians to flee area (Visnews production number 8894-72), 20 July
1972.<lb/>South Vietnamese troops attempting to recapture the northern city of
Quang Tri have run into very stiff North Vietnamese resistance during the last
few days of the battle (19-20 July). Both sides are using tanks in the city.
The air cover over Quang Tri is being flown exclusively by the South Vietnamese
to avoid the possibility of US pilots accidentally killing civilians. Strikes
outside the city, however, are being flown by US pilots to prevent North
Vietnamese attempts to cut Highway One leading into the city. US advisors to
the South Vietnamese are calling Quang Tri City the 'meatgrinder' because of
the ferocity of the fighting. Just before this film was shot Visnews cameraman
Neil Davis saw three of his colleagues from the American Broadcasting
Corporation killed in the fighting.
</entry>
<entry colname="col3">16mm; silent; colour; 2 min 31 sec.</entry>
<entry colname="col4">Related itemitem : S03301</entry></row><row>
<entry colname="col1">F10517</entry>
<entry colname="col2">Rangers ambushed by North Vietnam regulars near Lai Khe
base camp (Visnews production number 9964-72), 15 August 1972.<lb/>A battalion
of South Vietnamese Rangers, caught in an ambush by North Vietnamese forces
only two miles (3.2 km) from Lai Khe Base Camp - headquarters of the South
Vietnamese Fifth Division near Saigon - was saved from almost certain
annihilation on Tuesday (15 August) when government pilots made a daring
counter attack. The Rangers were on patrol, looking for North Vietnam regulars
who have been moving south over the Khmer frontier via the Mekong Delta, when
they walked right into the trap. The ambush was most unexpected, as Fifth
Division soldiers had supposedly swept the area shortly beforehand. It was
effective also, and the Rangers found themselves unable to retreat, being
pinned in from all sides by intensive North Vietnamese gunfire. Only one way of
escape was possible, and that was an air strike to disperse and destroy the
opposition. And this proved a tough assignment for the South Vietnamese
Skyraider pilots, who had to drop their bombs with unfailing accuracy to avoid
hitting their own troops. The strikes were successful, and gave the Rangers
time to retreat in fairly orderly fashion. According to government reports, the
casualties amongst the Rangers were mercifully light - only one dead and eight
wounded. That Tuesday night the war got even closer to Saigon as giant B-52
bombers pounded suspected North Vietnamese troop concentrations northwest and
southwest of the capital, sending massive shock waves through the city.

</entry><entry colname="col3">16mm; silent; colour;
1 min 28 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10518</entry><entry colname="col2">Armoured personnel
carriers come under Communist fire while bogged down (Visnews production number
10012-72), 15 August 1972.<lb/>Armoured Personnel Carriers - sent to the relief
of a South Vietnamese Ranger battalion near Lai Khe - on Tuesday (15 August)
came under North Vietnamese mortar fire when they became bogged down in a paddy
field. The carriers were called for after the Rangers were forced to withdraw
from an area near Lai Khe, 25 miles (40 km) north of the South Vietnamese
capital, Saigon. The carriers began their advance before dawn - and it was in
the darkness that the vehicles became bogged down. As other armoured personnel
carriers tried to free the trapped vehicles, North Vietnamese mortar shells
exploded near by. However, none of the carriers was hit. The Rangers' commander
called in air strikes which pounded the suspected Communist mortar positions.
Later, the South Vietnamese troops resumed their advance but made only slow
progress. Latest reports from the area say sporadic Communist shelling of both
Lai Khe and Ben Cat, suggesting a renewal of North Vietnamese interest
in the Mekong Delta region.</entry>
<entry colname="col3">16mm; silent; colour; 1 min 28 sec.</entry>
<entry colname="col4">Related item: S03301</entry></row><row>
<entry colname="col1">F10519</entry>
<entry colname="col2">[Khmer] Government troops repulsed in drive to open
Highway Two (Visnews production number 10648-72), 31 August 1972.<lb/>Tight
security continued in Phnom Penh on Sunday (3 September) during the elections
to restore Parliament. These are the first such elections since 1966. The
election day coincides with the anniversary of the death of North Vietnam's
former leader, Ho Chi Minh, and the Communists were expected to step up their
activities. Khmer Republic troops in recent days have been trying to break a
tightening ring around the capital formed by communist forces. Phnom Penh is
still cut off from all major provincial towns, except for Kompong Cham in the
northeast and the small port of Kompong Som in the west. South of the capital,
on Highway 2, government troops have been trying to reopen the road and relieve
encircled Khmer troops at Prasat Noang. The government forces, however,
suffered a high number of casualties as they were repulsed by the Communists
three times in five days.
</entry><entry colname="col3">16mm; silent; colour;
1 min 38 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10520</entry><entry colname="col2">After being repulsed
Khmer troops make new drive to Highway Two (Visnews production number
10670-72), 1 September 1972.<lb/>Voters trickled to the polls in Phnom Penh in
a parliamentary election on Sunday (3 September), as government troops outside
the capital city tried to break a tightening communist encirclement that has
all but cut it off from the rest of the country. The election is designed to
complete Marshal Lon Nol's programme to restore a measure of democratic
activity under the constitution that he personally drew up and introduced last
April. Security in the capital was strict, but Phnom Penh is still cut off from
all major provincial towns, except for Kompong Cham in the northeast and the
small port of Kompong Som in the west. South of the city, government troops
have been trying to reopen Highway Two and relieve at least two besieged Khmer
outposts.
After having been repulsed by communist forces three times in five days,
government troops of the 1st Infantry Brigade finally managed to reopen a
portion of Highway Two, only to have it cut off behind them. Visnews cameraman
Neil Davis filmed the action.
</entry>
<entry colname="col3">16mm; silent; colour; 1 min 35 sec.</entry>
<entry colname="col4">Related item: S03301</entry></row><row>
<entry colname="col1">F10521</entry>
<entry colname="col2">A day in the life of a grenade expert and his death
(Visnews production number 13593-72), 4 November 1972.<lb/>This dramatic film
shows the death of a grenade thrower in the South Vietnamese Army. After making
a series of single handed attacks on a Viet Cong position he returns safely to
his own lines then collapses with bullet in his stomach and dies within
seconds. The soldier was Nguyen Van Phuc. He was one of a team of grenade
throwers in the 25th Infantry Division which was called in to re-open Highway
13. Nguyen's job on Saturday was easier than usual - he had an old tomb to give
him cover while he lobbed his grenades. On his last trip he had to return under
a hail of machine gun fire, but got back safely only to die from to die from a
stray burst of fire.</entry><entry colname="col3">16mm; silent; colour;
2 min 32 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10522</entry><entry colname="col2">Khmers await proposed
ceasefire down but undaunted (Visnews production number 15134-72), 2 December
1972.<lb/>Film shows deserted remains of houses. Farming families living and
working in otherwise abandoned villages. Khmer Government boy soldiers fishing.
Khmer soldiers and their families arriving and their families on an ammunition
truck. A Khmer officer loading an intelligence officer in civilian clothes with
grenades as rides off on a bicycle to locate the enemy. Soldiers position a
mortar and test weapons and shells. The surrender of two Communist Khmer Rouge
soldiers.</entry>
<entry colname="col3">16mm; silent; colour; 4 min 52 sec.</entry>
<entry colname="col4">Related item: S03301</entry></row><row>
<entry colname="col1">F10523</entry>
<entry colname="col2">Battle between Khmer Republic Government troops and
Communists over 'rice' village (Visnews production number 242-73), 7 January
1973.<lb/>The war in the Khmer Republic has suddenly become hotter…with
attacks by Communist forces being reported from many areas around the capital,
Phnom Penh. On some respects it appears to be a 'rice' war and according to
some reports, just about all of the vast rice growing area south of Phnom Penh
is in Communist hands. One village which is being fought for is Tram Khnar
(pronounced Trum K-nah), about 28 miles south of the capital. Visnews
South-East Asia correspondent Neil Davis was slightly wounded by a rocket while
covering the fighting. A Khmer journalist with him was wounded and later listed
as missing, presumed dead. Davis says the situation in the Khmer Republic is
the worst since the country became fully involved in the war in March 1970,
with Phnom Penh now really threatened by the Communists.
</entry><entry colname="col3">16mm; silent; colour;
1 min 41 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10524</entry><entry colname="col2">The fighting drags on
into the first day of the Vietnamese New Year (Visnews production number
1202-73), 3 February 1973.<lb/>The Vietnam ceasefire entered its second week on
Sunday (4 February), but the fighting continued. It's eased off considerably,
but both the North and South Vietnamese Governments have reported serious
violations of the ceasefire over the past few days. However, the fighting was
expected to go through a 'damping down' when the 27 men of the International
team to help supervise the ceasefire arrived in Hue on Monday (5 February). The
commission says it hopes that its very presence in fighting areas should deter
fighting. But around Trang Bang on Highway Four on Friday (2 February), big
battles continued. One raged on the first day of the Vietnamese New Year (Tet)
when South Vietnamese troops assaulted a small hamlet in Trang Bang…a
hamlet which had been occupied only a day earlier by the Viet Cong. The troops
and four civilians entered the hamlet under fire, but in a matter of minutes,
they were encircled by North Vietnamese troops. The South Vietnamese men took
cover from the North Vietnamese attack until their own jet bombers and
helicopter gunships came to their rescue. On the other side of Saigon, the hunt
for any evidence of fighting continues. On Friday, South Vietnamese troops
found the Viet Cong flag flying near some tall trees near Ding Tuong Province,
about 48 miles south of Saigon. They made their way to the jungle village, tore
down the flag and flew the South Vietnamese flag in its place.
</entry>
<entry colname="col3">16mm; silent; colour; 1 min 51 sec.</entry>
<entry colname="col4">Related item: S03301</entry></row><row>
<entry colname="col1">F10525</entry>
<entry colname="col2">Visnews cameraman's tour of Viet Cong controlled village
interrupted by helicopter gunship attack (Visnews production number 1355-73), 8
February 1973. <lb/>A South Vietnamese Airforce helicopter gunship attacked a
Viet Cong controlled hamlet in the Mekong Delta on Thursday (8 February) while
a Visnews cameraman was filming village life. The cameraman, Neil Davis, said
the villagers scattered when the helicopter banked over the hamlet and started
firing. Viet Cong soldiers escorting Davis, pushed him behind a building to
keep him out of the line of fire which continued for half an hour. Davis
located the hamlet in the Mekong Delta region just 60 miles southwest of
Saigon. He was escorted by an old Vietnamese farmer he met on the main highway
to the Viet Cong hamlet, via a sampan ride through the Delta's vast canal
system. All along the river bank, Davis saw Viet Cong flags flying from houses
and huts. He said none of the soldiers he saw wore the legendary Viet Cong
black pyjamas. Most wore tattered black trousers and blue shirts. They looked
like the hard working sons of farmers. Some had captured United States M-16
rifles. But most carried Russian or Chinese-made AK-47 rifles.
During his 24 hour stay with the Viet Cong, Davis drank tea, shared a meal,
chatted about the mysterious West, ran for cover with them during the attack
and listened to artillery bombardment of another hamlet in the middle of the
night.</entry><entry colname="col3">16mm; silent; colour;
1 min 36 sec.</entry><entry colname="col4">Related item:
S03301Air Force</entry></row><row>
<entry colname="col1">F10526</entry><entry colname="col2">[USAF personnel leave
Vietnam] (Visnews production number 3135-73), March 1973.<lb/>A group of United
States Air Force personnel from the 6498th Air Base Wing (ABW) at Da Nang air
base South Vietnam celebrating drinking champagne. Sign in the background of
the airport reads "Long live the brave fighting spirit of the US Armed Forces".
 The Americans smiling holding passes and hand luggage moving out onto the
tarmac. A heavy forklift vehicle carrying load covered by tarpaulin. The men
seen walking towards a Trans International ATransirlines jet. Sign over the
boarding
ramp to the aircraft reads "Bon voyage USAF Da Nang RVN". South Vietnamese
troops and a weeping Vietnamese woman walking towards the aircraft. Several
Western women farewell the Americans with kisses as they move up the ramp.
Forklift moving towards a USAF C130 Hercules transport aircraft. Americans
shaking the hands of uniformed North Vietnamese soldiers or officials as they
board the aircraft. Shot of the signs on the Da Nang arrival gate - "Long live
etc" and "Hoover's Hooligan's 6498th ABW The job is done". The 6498th was
commanded by Major General William W Hoover and the air base was turned over to
the South Vietnamese in March 1973.</entry>
<entry colname="col3">16mm; silent; colour; 1 min 14 sec.</entry>
<entry colname="col4">Related item: S03301</entry></row><row>
<entry colname="col1">F10527</entry>
<entry colname="col2">Town of Chambak falls to Communist forces and surviving
soldiers vacate the area (Visnews production number 3211-73), 2 April
1973.<lb/>In the Khmer Republic, Communist forces have been maintaining a
series of heavy attacks on towns near Phnom Penh. On Saturday (31 March) a
command post on Highway two near the town of Chambak (pronounced Chum-buk) fell
with more than 50 killed and many missing and wounded. On Monday the Communists
launched a full scale attack on the town itself and quickly encircled it. After
about 6 hours, the defenders were forced to leave the town and began to fight
their way out. Some, accompanied by their dependents, made it. But all were
battle weary and despondent…a rare thing for these men. The troops were
members of the 37th Infantry Brigade and in a long uninterrupted spell of
fighting they've taken heavy casualties. Elsewhere in Khmer, Communist forces
are continuing heavy attacks and are keeping a stranglehold on supply routes to
Phnom Penh.</entry><entry colname="col3">16mm; silent; colour;
1 min 31 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10528</entry><entry colname="col2">[Burnt out Cambodian
village] (Visnews production number 4479-73), 1973.<lb/>Khmer Republic troops
moving through a burnt out village.  Houses are completely destroyed and only
foundation posts remain. Wrecked baby carriage with burnt out houses in the
background. Khmer Republic soldiers moving through the ruins of the village
only a Buddhist stupa remains standing. The soldiers examine a cart full of
small arms and a mortar. Soldier carrying rifles taken from the cart. Panning
shot showing the soldiers and civilians picking through the ruins. Two
civilians carrying a large sack of rice from the ruins and loading it on a
truck.  Long shot of a Buddhist temple then panning down to Buddhist monks.  A
women carrying a basket moves through the ruins. 
Civilians pulling an ox cart full of their possessions. 
</entry>
<entry colname="col3">16mm; silent; colour; 2 min 11 sec.</entry>
<entry colname="col4">Related item: S03301</entry></row><row>
<entry colname="col1">F10529</entry>
<entry colname="col2">Bitter fighting on Highway Five and street market bombing
in Phnom Penh (Visnews production number 10281-73), 31 October
1973.<lb/>Military and terrorist activity in the Khmer Republic stepped up
dramatically in the last week of October as the Monsoon season began drawing to
an end. There was heavy fighting between government troops and Communist led
forces on at least three fronts, and terrorist activity in the capital Phnom
Penh. At the same time, fighting flared up again in South Vietnam. One of the
biggest battles was on Highway 5, known as the 'rice road', which links Phnom
Penh with the important rice-producing province of Battambang. Heavy fighting
began on Sunday (October 28) after sporadic attacks by Communist forces. They
crossed the Tonla Sap River from the east bank and occupied a two and a half
mile stretch of the Highway. After three days the Khmer government troops,
supported by armoured cars, claimed to have killed and wounded about 30
Communists. The bulk of the fighting was about 15 miles (24 km) north of Phnom
Penh.
On Sunday (October 28), the Khmer forces tried a determined push to re-open the
Highway, but the Communist led fighters were well entrenched and waiting. They
met the government attack with a barrage of mortars and rockets, to hold up the
Khmer advance and give their own troops time to escape by sampan on the Tonla
Sap River. In the restricted area of fighting, casualties were inevitable, and
heavy. Soldiers, women and children were killed and wounded. On the same day,
six people were killed and at least 16 injured when a hand grenade exploded at
a crowded market in the centre of Phnom Penh. Earlier in the week a hand
grenade was thrown into a small Chinese restaurant in the capital, and
observers believe the terrorism is timed to coincide with the step-up in
military activity.
</entry><entry colname="col3">16mm; silent; colour;
2 min 42 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10530</entry><entry colname="col2">Buddhist monk turned
soldier leads troops in battle on Highway Four (Visnews production number
10990-73), 21 October 1973.<lb/>Lieutenant May Um is no ordinary officer - and
you can tell that at first sight, for May Um is also a Buddhist monk. He still
wears his religious robes as he leads his men into battle along Highway Four,
in the Khmer Republic's fight to free that strategic highway from communist
control. May Um became a soldier in 1970 when the communists entered his
village near Kompong Speu and killed several of his fellow monks. At 51, he is
a lieutenant, commanding the 120 men of Territorial Company 1023. The troops,
equipped only with rifles, are hard pressed to hold their own against the
better armed Communist forces. Although it should have ended a long time ago,
the monsoon season lasted an extraordinarily long time this year, and the paddy
fields are still badly waterlogged. May Um's company has been hard pressed to
hold its position in the watery fields when under attack by communist mortars.
Fighting has been going on around the company for a week, but May Um hopes to
consolidate his position near the highway now that he has added a mortar to the
company's inventory. Lieutenant May Um knows his men well - they were all
brought up around the village where May was a monk for 30 years.
</entry>
<entry colname="col3">16mm; silent; colour; 1 min 55 sec.</entry>
<entry colname="col4">Related item: S03301</entry></row><row>
<entry colname="col1">F10531</entry>
<entry colname="col2">Heavy fighting continues on Highway Four southwest of
Phnom Penh (Visnews production number 11021-73), 22 November 1973.<lb/>Heavy
fighting was continuing on Thursday (22 November) along the vital Highway 4 in
the Khmer Republic, linking the capital Phnom Penh with its deep-water port of
Kompong Som in the Gulf of Siam. Military sources said government troops backed
by artillery and armoured cars were continuing their sweep against communist
forces. By Thursday, every major highway in the Khmer Republic was cut by the
communists amid heavy fighting. On Friday night (23 November), communist forces
shelled three provincial centres around Phnom Penh. Military sources said at
least ten people had been killed and 25 wounded by shelling in the provincial
capital of Takeo, 40 miles (60 km) south of Phnom Penh, in 5 days. On Thursday,
the town of Mohasaing on Highway 4 fell to communist forces. Troops and
armoured personnel carriers (APCs) of the Khmer's most successful unit, the
28th Infantry Brigade, were rushed in to stop the communist advance. More than
forty APCs and two battalions of infantry were thrown into the battle. At first
there was little resistance from the communists, but after several hours the
Khmer forces were halted by heavy mortar and rocket fire, which inflicted
serious casualties. The monsoon season in the region has already lasted a month
longer than usual. In the ten days before the Mohasaing battle, three towns
were lost by the government to the communists. Observers in Phnom Penh say
Highway 4 is vital to the defence of the capital, because it is the route for
essential supplies coming into the country through the port of Kompong Som.
</entry><entry colname="col3">16mm; silent; colour;
2 min 11 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10532</entry><entry colname="col2">[Khmer Republic]
armoured personnel carriers attempt to clear Communist troops near Phnom Penh
(Visnews production number 11252-73), 28 November 1973.<lb/>More than 60 Khmer
Republic armoured personnel carriers led a major assault near Highway 4, 37
miles southwest of Phnom Penh on Wednesday (28 November), in an effort to clear
out communist led insurgents from the town of Mohasaing. Advancing through rice
paddies still muddy from the recent monsoon rains, the APCs formed a solid
frontline for the government troops. Contact was made with the Khmer Rouge. But
while the government troops advanced, the communists launched a heavy mortar
attack on the provincial capital of Kompong Speu, only 5 miles
away. For the past week the fighting along this section of Highway 4, leading
to the deep-water port of Kampong Cham, has developed into the
largest battle zone since the beginning of the year. More than 4,000 government
soldiers and an estimated 2,000 insurgents are entrenched over a front five
miles long.
</entry>
<entry colname="col3">16mm; silent; colour; 1 min 9 sec.</entry>
<entry colname="col4">Related item: S03301</entry></row><row>
<entry colname="col1">F10533</entry>
<entry colname="col2">[Khmer Republic] Government troops over run insurgents
near Phnom Penh (Visnews production number 1587-74), 16 February
1974.<lb/>Government troops in the Khmer Republic scored a much needed victory
when they overran heavily entrenched insurgent positions to the northwest of
Phnom Penh on Saturday (16 February). The victory was a morale booster for the
government forces and relieved some of the intense communist pressure on Phnom
Penh. The Khmer forces had been fighting the insurgents in the area for well
over a month with little success. A week ago the battle hardened 80th Infantry
Brigade, the successful defenders of Kampong Cham last year, were
moved into the front line. However, their initial attack last Wednesday (13
February) was brought to a rapid halt when the Khmer Rougr used poisonous gas.
But on Saturday, with the backing of armoured personnel carriers and
anti-personnel rockets, they advanced rapidly and recaptured more than a
kilometre of communist territory. The battle, one of the fiercest for some time
was filmed by Visnews cameraman Neil Davis who was in the front line throughout
the attack.
</entry><entry colname="col3">16mm; silent; colour;
2 min 53 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10534</entry><entry colname="col2">(Visnews production
number 2253-74), 1974.<lb/>Khmer Republic light mortar crew in action.
Civilians including children watching the mortar crew firing. Camera pans to a
large Buddhist temple. Cambodian from the vantage point of the temple looking
through binoculars. Long shot of smoke or explosion in the distant tree line.
Khmer Republic officer speaking into the hand set of a jeep mounted radio.
Close up of the radio equipment. Wide angle shot of the officer. Civilians
gathered outside the temple. Civilians, perhaps refugees, sheltering inside a
building some resting on makeshift beds. Soldiers collecting rifles inside the
building. Close up of  Cambodian being interviewed. Close up of man playing a
flute.</entry>
<entry colname="col3">16mm; silent; colour;
2 min 11 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10535</entry>
<entry colname="col2">[Khmer Republic armoured personnel carriers in action and
boy soldiers (Visnews production number 3690-74), 1974.<lb/>Khmer Republic M113
armoured personnel carrier (APC) moving into action. View from inside APC of
the commander gunner. Several scenes of infantry moving forward and taking
cover behind paddy field dyke. Soldier firing M40 grenade launcher and shelters
behind the dyke is armed with an M16 assault rifle. Soldier armed with the M40
signals others to move forward. APC fires 106mm recoilless rifle. Several
scenes of APCs firing recoilless rifles. Boy soldiers moving forward. Wounded
boy soldier runs back to lines. Close up of the gunshot wound to the boy's
elbow.  The boy soldier has his wounds dressed tow other soldiers. Close up of
the boy's face in pain. Other wounded being escorted to the rear by soldiers.
Soldier carrying a wounded comrade in his arms. Wounded soldier carried on a
stretcher to an ambulance. Several scenes of casualties being loaded into the
ambulance. Close up of a boy soldier. Boy soldier walking with an M16 on his
shoulder.</entry><entry colname="col3">16mm; silent; colour;
2 min 11 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10536</entry><entry colname="col2">One journalist killed
and two wounded covering Khmer Republic Government troops fighting Communists
at Kompong Chhnang (Visnews production number 9895-74), 2 October 1974.<lb/>One
journalist was killed and two others wounded while covering the battle between
Khmer Republic Government troops and Communist insurgents around the provincial
capital of Kampong Chhnang. Lim Savath, a 31-year-old Khmer freelance
photographer working for the Associated Press, was killed near Kampong Chhnang
on 26 September, but his body was not recovered until 2 October. It was taken
to Phnom Penh for cremation. The two wounded journalists were 40 year old South
Korean Lee Yosep, who was working on assignment for Visnews and Al Rockoff, a
26 year old American freelance photographer. Over 350 Communists were killed by
Government troops during a clearing operation around Kampong Chhnang. According
to the Khmer High Command, one Government soldier was killed and 30 wounded
during the operation, which began on 30 September. Kampong Chhnang, which links
Phnom Penh with the rice growing Sattampang province, has been under heavy
insurgent pressure for two weeks.
</entry>
<entry colname="col3">16mm; silent; colour;
1 min 12 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10537</entry>
<entry colname="col2">[Aftermath of a Khmer Rouge massacre] (Visnews production
number 151-75), 1975.<lb/>Khmer Republic soldiers and civilians holding a hand
over their noses moving about a burnt out village.  A burnt corpse in a banana
grove. Women crouching down before the corpses weeping. Soldiers standing
looking at the dead. Several scenes of the corpses in the banana grove. Women
weeping. The badly charred remains of a person amongst the ruins of a village
house. Men place the charred bodies onto woven mats.  Buddhists monks chanting
prayers over the bodies of the victims. Men pile wood up to cremate the
victims' remains.</entry><entry colname="col3">16mm; silent; colour;
2 min 26 sec.</entry><entry colname="col4">Related item:
S03301</entry></row><row>
<entry colname="col1">F10538</entry><entry colname="col2">[Khmer Republic]
Government troops liberate villagers from insurgents (Visnews production number
263-75), 6 January 1975.<lb/>Thousands of villagers were liberated from an area
less than 15 miles (24 km) from Phnom Penh when government troops broke through
a cordon of communist led insurgents on Monday (6 January). About 20,000 people
had been reported isolated by insurgents, who closed in on them since the
fighting began on New Year's Day in a renewed offensive against government
forces. Many refugees, who tried to slip through the communist ring, were
killed. News agencies said many villagers were killed in the first two days of
the fighting. On Tuesday, those who managed to leave their wrecked villages
alive, like many others before them, did not know where they were going to or
what the future would hold for them. It is estimated that more than 7 million,
roughly half of the country's population, have so far been displaced in similar
circumstances.
</entry>
<entry colname="col3">16mm; silent; colour;
2 min 10 sec.</entry><entry colname="col4">Related item:
S03301</entry></row>
					 </tbody>
				  </tgroup>
				</table>
			 </add> 
		  </c01><c01 level="series"> 
			 <did> 
			 



		  <unittitle id="four">Series 4: Out-takes of interviews with Australian
correspondents,
				
				<unitdate>1978</unitdate>
				</unittitle> 
			 <abstract>These interviews represent the initial concept for the
film.
None of them featured in the final cut.</abstract>



		  </did> 
			 <add>
				<table>
				  <tgroup cols="4"><colspec colnum="1" colname="col1"
colwidth="1.00*"/><colspec colnum="1" colname="col2" colwidth="1.00*"/><colspec
colnum="2" colname="col3" colwidth="1.00*"/><colspec colname="col4" colnum="4"
colwidth="1.03*"/>
					 <tbody>
						<row> 
						  <entry colname="col1"><emph render="bold">Accession
							 number</emph></entry> 
						  <entry colname="col2"><emph render="bold">Title, date and
							 description</emph></entry> 
						  <entry colname="col3"><emph render="bold">Format and
duration</emph></entry><entry colname="col4">humour</entry>
						</row>
						
						
						
						
						<row>
<entry colname="col1">F10539</entry>
<entry colname="col2">Interview with Noel Bennell. Interview with William
Roland Pinwill  (Frontline out-takes), 1978.<lb/>Noel Bennell as a journalist
with the 0-10 network in Vietnam 1972. Impression of Saigon in 1972 was
depressing. Low morale of the South Vietnamese indicated to him that the fall
of Saigon was inevitable. The United States troops also showed a low morale
either through leadership or the affect of the anti war protests in the US.
Visit to a hospital where there were more US soldiers there being treated for
drug overdoses than wounded. He was not allowed to visit the Australians as the
area between Saigon and Vung Tau was not secure. Awareness that this was a war
without frontiers. As he was not able to go out into the war zone he did
stories on refugees and orphanages in Saigon. The suffering of the civilians as
a by product of war has a greater impact than battle scenes. The black humour
of
war correspondents. How some Vietnamese did profit from the war. Example of the
taxi drivers who would take journalists to the war. The story of two
correspondents who would have a picnic lunch at a staging post every day.
Opinion on why journalists pride themselves on objectivity and how he did not
use television to espouse his anti war opinions.  He believes his television
station gave equal coverage to both pro and anti war views. The US networks
used
foreign cameramen, not as cannon fodder but, because as the war progressed
American
cameramen were reluctant to be assigned to Vietnam. His naivety on being
prepared
for a war zone.

William Pinwill as an ABC journalist. The ABC gave little in the way of
directives on how to report the war. He was severely critisied by ABC head
office for his reporting of the alledged water torture of a female Viet Cong
prisoner by Australian troops. Accused of raising common gossip as fact.
Critised by unnamed Australian Senator for his reporting of fighting between
South Vietnamese and Cambodian government troops. Film runs out and interview
continues as audio only. </entry><entry colname="col3">16mm; sound; colour;
14 min 47 sec.</entry><entry colname="col4">Related items:
S03270; S03296; transcript.</entry></row><row><entry
colname="col1">F10540</entry>
<entry colname="col2">Interview with Tim Bowden (Frontline out-takes), 15 March
1978.<lb/>Tim Bowden as an ABC journalist in Vietnam.  His experience on a
twenty four hour stay with a United States Marine Corps unit on a search and
destroy misson in a free fire zone. Told to walk in the tank tracks as a way to
avoid mines and booby traps. How the Marines forced Vietnamese villagers to
walk in front of the tanks as they advanced. The villagers knew where the mines
would be because the Viet Cong would alert them so they waste the VC mines. The
Marines spotted what they thought was a NVA soldier so the tanks and artillery
fired into the village. Bowden's shock as a young boy with a war bufflalo was
caught in the fire. The Marines actions at variance with policy of winning the
hearts and minds of the Vietnamese. The American troops did not see the
Vietnamese as people. Incidents such as this indicated how the My Lai massacre
could happen. Bowden explains that to report the war you could not afford to be
emotionally involved. Bradbury comments that that  technology could not win the
war and the media coverage could not change the minds of the people as well.
Bowden attributes this to the sameness of the television coverage. Difficultly
in getting actual combat footage. The unreality of television cut people of
emotionally from what they were viewing. Neil Davis as one cameraman who did go
to the front line. Describes Neil Davis as compassionate and one of the most
sensitive people he ever met. Davis's instinctive rapport with the Asian
people. Davis as the only Western cameraman to go out contiually with the South
Vietnamese troops.  Bradbury asks if Davis will end up dying on a battlefield.
Bowden replies that Davis is very experienced and has been in combat more often
than any soldier. He knows when to take risks or not. Though his intution can
sometimes let him down pointing out that he was badly wounded by a mortar bomb.

</entry>
<entry colname="col3">16mm; sound; colour; 10 min 36 sec.</entry>
<entry colname="col4">Related item: S03265; transcript.</entry></row><row>
<entry colname="col1">F10541</entry>
<entry colname="col2">Interview with Pat Burgess (Frontline out-takes), 28
February 1978.<lb/>Francis Patrick Burgess as a correspondent for John Fairfax
&amp; Sons Ltd, News Limited and the 7 Network on the death of four fellow
correspondents; accompanying Police Chief General Loan fighting near the bridge
to Bien Hoa; grim conditions at Hue, and North Vietnamese determination;
reasons for reporting the Vietnam war; the Australian soldier; out break of the
Tet offensive in Saigon; Australian humour and reasons for reporting the
Vietnam war.</entry><entry colname="col3">16mm; sound; colour;
10 min 36 sec.</entry><entry colname="col4">Related items: S03284;
S03285; transcript.</entry></row><row>
<entry colname="col1">F10542</entry><entry colname="col2">Interview with Mike
Carlton (Frontline out-takes), 24 March 1978.<lb/>Mike Carlton as a
correspondent for the Australian Broadcasting Commission (ABC) describes his
first impressions of South Vietnam in 1966 and 1970; censorship and objectivity
within the ABC; effect of TV on public opinion, quoting the North Vietnamese
Defence Minister; ABC didn't interpret the political situation; his depression
caused by the invasion of Cambodia; Air Vice Marshall Ky and the mortar misfire
at Nui Dat; armed Vietnamese officer threatens him in a bar; reading danger
signs in a war zone; impression of Neil Davis; risks for a cameraman and
soundman compared to a journalist; assisting the injured, and racial
tendencies; switching off emotions toward suffering to avoid going mad; worst
thing was waiting for something to happen; Neil Davis in Indonesia; brutality
and human instinct; scale of the war, attitude of soldiers and
journalists.</entry>
<entry colname="col3">16mm; sound; colour; 18 min 49 sec.</entry>
<entry colname="col4">Related items: S03266; S03267;
transcript.</entry></row><row>
<entry colname="col1">F10543</entry>
<entry colname="col2">Interview with Robert Clarke (Frontline out-takes),
1978.<lb/>Robert Clarke as a cameraman describes filming troops disembarking
from a helicopter, which left without them; being picked up by a helicopter
bringing the next troops.</entry><entry colname="col3">16mm; sound; colour;
2 min 2 sec.</entry><entry colname="col4">Related item:
transcript.</entry></row><row>
<entry colname="col1">F10544</entry><entry colname="col2">Interview with
Darrell Ford (Frontline out-takes), 17 February 1978.<lb/>Darrell Ford as an
Australian Army sergeant cameraman in Vietnam describes he difference in
covering a war as to any other story; a certain risk in covering stories in
Australia but in a war there is uncertainy; excitement of being the only
cameraman to capture a good action; helping comrades if needed -  not letting
the camera be in total control; adrenalin rush of combat and capturing peoples
expressions in those situations; he would go again to a war zone but not Timor;
how soldiers will not place full trust in a civilian cameraman or journalist
but would in a soldier cameraman;  how soldiers combat fear as in the case of
stepping on a mine; the story of one soldier who stood frozen on a mine for
three quatrers of and hour  before begining rescued; how he was wounded in
ambush while on Operation Canberrawith 5 RAR in the Nui Dinh mountains;
comparison of the way Australians and Americans conduct operations; description
of the helicopter evacuation; disappointment of being sent home due to his
wounds; the high rate of operation and casulties due to sickness amongst the
battalion; feeling forgotten and unloved by the people back home; how he and
others coped with depression by having wild parties at the sergeant's mess in
Nui Dat; how they 'kidnapped' the entertainer Col Joye after a concert and took
him back for a drinking session; brief mention of the battle of Long Tan.
</entry>
<entry colname="col3">16mm; sound; colour; 16 min 20 sec.</entry>
<entry colname="col4">Camera battery runs out and then interview
ends. Related item: S03293; transcript.</entry></row><row><entry
colname="col1">F10545</entry>
<entry colname="col2">Interview with Bob Greenwood (Frontline out-takes), 23
February 1978.<lb/>Bob Greenwood as a cameraman for the American National
Broadcasting Company Inc (NBC) describes differences between reporting the
Vietnam war for American and Australian networks; accompanying a United States
patrol in the highlands near Plei Ku and being ambushed; deciding not to renew
his employment contract; his soundman, Hans Peschke dragging him into dangerous
situations [the sound synchronization system used at that time required the
film camera and sound recorder to be connected by a cable]; reasons for working
in a war zone; requirement for impartial reporting; not until the end of the
war was it apparent that we were losing badly; never sitting in the front seat
of military vehicle after seeing bullet holes; comparison of Australian and US
soldiers; the brave reputation of Australian airmen; RAAF Caribou transports
supplied the besieged outpost of Plei Me because the Americans refused
to.</entry><entry colname="col3">16mm; sound; colour;
13 min 4 sec.</entry><entry colname="col4">Related item:
S03287; transcript.</entry></row><row>
<entry colname="col1">F10546</entry><entry colname="col2">Interview with Jack
Gulley (Frontline out-takes), 15 March 1978.<lb/>Jack Gulley as a correspondent
describes Australian Broadcasting Commission (ABC) and overseas coverage of the
Vietnam war; realisation of the US bias; the ABC's policy of objectivity; the
impact of television on public opinion; constraints in providing Australian
film coverage; rotation of correspondents; the decision to show the film of
Police Chief General Loan executing a Viet Cong prisoner supported by ABC
management; ABC censorship and the destruction of the Wilfrid Burchett
interview.</entry>
<entry colname="col3">16mm; sound; colour; 10 min 43 sec.</entry>
<entry colname="col4">Related item: transcript.</entry></row><row>
<entry colname="col1">F10547</entry>
<entry colname="col2">Interview with Phillip Burton Koch (Frontline out-takes),
1978.<lb/>Phillip Koch as a correspondent for the Australian Broadcasting
Commission (ABC) describes his reasons for going to Vietnam; opinion on
correspondents carrying side arms;young men going to war to prove themselves; 
influenced in his youth by reading Ernest Hemingway; compares the different
styles of two generations of journalists; objectivity of the ABC; the
destruction of Tony Ferguson's interview with Wilfred Burchett. Australia's
involvment in Vietnam solely to maintain the relationship with the United
States.</entry><entry colname="col3">16mm; sound; colour;
8 min 46 sec.</entry><entry colname="col4">Related item:
S03271; transcript.</entry></row><row>
<entry colname="col1">F10548</entry><entry colname="col2">Interview with
Phillip Koch and Noel Bennell (Frontline out-takes), 1978.<lb/>Noel Bennell as
a television correspondent and editor for Channel 10 and Phillip Koch as a
correspondent for the Australian Broadcasting Commission (ABC) describe TV
coverage of the Vietnam war era; Prime Minister's John Gorton's request that
the ABC with hold a story that could affect the troops morale; reasoning behind
the destruction of the Wilfrid Burchett interview; objectivity or committed
coverage of the ABC; how Defence Public Relations film on Australian activities
didn't give a true picture; evaluation of media coverage; the first war fought
with daily television coverage and how it became monotonous.</entry>
<entry colname="col3">16mm; sound; colour; 10 min 17 sec.</entry>
<entry colname="col4">Related item: S03270; S03271;
transcript.</entry></row><row>
<entry colname="col1">F10549</entry>
<entry colname="col2">Interview with Peter Leyden (Frontline out-takes),
1978.<lb/>Peter Leyden as a cameraman for the American Broadcasting Company
(ABC) describes war zone camaraderie; military professionalism; his work in
Australia and reasons for going to Vietnam; Australian involvement; no stories 
on the Australians when he was working for the Americans; apprehension towards
helicopter maintenance by the Vietnamese; being under fire while in a spotter
aircraft over Khe Sanh; among the first to film a B-52 bomber base in Thailand;
describing the bombing up of a B-52; B-52 pilots's perspective; becoming
divorced from reality by looking through the camera's viewfinder; coping while
witnessing human suffering; unedited war footage creating anti-war sentiment;
his working conditions; United States (US) aid for the wounded; his position
while on patrol; camaraderie in Vietnam, and ten years later; competition
between US correspondents; relationship with his Vietnamese soundman;
encountering North Vietnamese troops while wandering between US groups; moving
camp at night time; lifestyle of correspondents in Saigon; US Embassy at the
start of the Tet offensive; commuting from the comfort of a Saigon hotel to the
war.</entry><entry colname="col3">16mm; sound; colour;
20 min 34 sec.</entry><entry colname="col4">Related item:
S03286; transcript.</entry></row><row>
<entry colname="col1">F10550</entry><entry colname="col2">Interview with Ian
MacKay (Frontline out-takes), 1978.<lb/>Ian Magnus Mackay as a journalist for
Independent Television News (ITN) and Australian Broadcasting Commission (ABC)
describes differences between TV and newspaper reporting; the 'Five o'clock
follies' and the questionable value of information given to the media by the
United States (US) military; the Australian military role; objectivity and
fatalism in a war zone; twenty four hours under siege at a US Special Forces
camp at Du Co (?); coping with being under fire in a helicopter; coping with
fear; the character of the ABC journalist Don Simmons; while on the Australian
Army Vessel the Vernon Sturdee witnessing a large troop carrying helicopter
being hit by fire and exploding in flight; personal effect of war zone
experience; feeling depressed that the US and Australians were doing the
fighting and not the South Vietnamese.</entry>
<entry colname="col3">16mm; sound; colour; 10 min 38 sec.</entry>
<entry colname="col4">Related item: S03288; transcript.</entry></row><row>
<entry colname="col1">F10551</entry>
<entry colname="col2">Interview with Graham McInerney (Frontline out-takes),
1978.<lb/>Graham Edward McInerney as a photographer for the Adelaide Advertiser
describes being in a United States F4 Phantom fighter bomber on a bombing run,
being overcome by G forces; combating fear in a war zone; an aside with an
Australian officer before his first combat patrol; reasons for going to South
Vietnam; cameramen filming during a fire fight; offer of 'pot' [cannabis] from
a French correspondent - on refusal the French correspondent asked how he can
go out on operations without taking some kind of drug; accompanying a US
helicopter assault near the Cambodian border, being ambushed and wounded while
fetching water; a sense of humour was needed; being robbed during a black
market cash exchange; realization that there was no way he was going to get
action pictures as this would be too dangerous  - he was really looking for
expressions of the people affected by the war; how he would go back to Vietnam,
and advice for young journalists; US and Australian soldiers'
attitudes.</entry><entry colname="col3">16mm; sound; colour;
14 min 2 sec.</entry><entry colname="col4">Related item:
S03281</entry></row><row>
<entry colname="col1">F10552</entry><entry colname="col2">Interview with Don
and Rosemary McLeod (Frontline out-takes), 1978.<lb/>Don McLeod as a cameraman
for CBS News describes his job as filming the actuality; fear in a combat
situation and anticipation beforehand; it was a calculated risk just being
there; his fear of flying in helicopters piloted by United States (US)
conscript pilots; how his nerves became affected; sustaining heavy fire in a
helicopter, and the heavy landing at Ben Het US Special Forces camp; developing
a neurotic fear of flying during sixteen months especially in C-130 Hercules
aircraft; fighting conditions at 'Hamburger Hill' (Ap Bia Mountain) one of the
fiercest battles of the war; the most moving emotional experience as witnessing
a mass funeral at Hue; becoming fatalistic; complacency of US conscripts; why
US networks employed Australian cameramen; how the Viet Cong controlled the
country after dark; being ambushed on a river patrol. Rosemary McLeod as his
wife describes initial feelings and coming to terms with Don's work; Don's
motivation and outlook; other cameramen; rocket attacks on Saigon; existence of
cameramen's wives in Saigon.</entry>
<entry colname="col3">16mm; sound; colour; 14 min 45 sec.</entry>
<entry colname="col4">Related item: S03290.</entry></row><row>
<entry colname="col1">F10553</entry>
<entry colname="col2">Interview with Les Profitt (Frontline out-takes),
1978.<lb/>Les Profitt as a cameraman for Australian Broadcasting Commission
(ABC) Television News describes going up river with the South Vietnamese junk
fleet; the American adviser shooting up Vietnamese villages because it was a
'Free Fire Zone'; the boat being hit and disabled; opinion that Wilfred
Burchett was a great Australian; filming Tony Ferguson interviewing Wilfrid
Burchett and the destruction of the film by the ABC; role of the cameraman;
politics in the Vietnam war; the Vietnam war in the media; the Australian way
of thinking; a futile war the United States could not win; opinion the styles
of journalists Don Simmons and Tony Ferguson;  an instance of cameraman Peter
Leyden risking his life to get action footage.</entry><entry
colname="col3">16mm; sound; colour;
9 min 40 sec.</entry><entry colname="col4">Related item:
S03292; transcript.</entry></row><row>
<entry colname="col1">F10554</entry><entry colname="col2">Interview with Jim
Revitt (Frontline out-takes), 22 February 1978.<lb/>Jim Revitt as a
correspondent for the Australian Broadcasting Commission (ABC) Radio News and
Television News and Radio Australia describes being the only ABC reporter in
South Vietnam; utilising Visnews cameramen; Neil Davis as one of the greatest
cameramen and correspondents of the Vietnam war; task of reporting in South
Vietnam; lack of ABC resources; ABC policies guiding reporters and talks
[current affairs] department; no in-depth interpretive reporting carried out;
ABC policy of reporting singular events, without context; frustration of not
being able to report the progress of the war; how Australian public opinion
would have been more informed by interpretive reporting; lack of management
awareness; most feedback came from his parents; hope for future war reporting,
futility of war; ABC policy change toward the end of the war, and lack of ABC
equipment in Saigon.</entry>
<entry colname="col3">16mm; sound; colour; 10 min 44 sec.</entry>
<entry colname="col4">Related item: S03275; S03276;
transcript.</entry></row><row>
<entry colname="col1">F10555</entry>
<entry colname="col2">Interview with Shirley Shackleton (Frontline out-takes),
1978.<lb/>Shirley Shackleton as the wife of Greg Shackleton (one of five
journalists killed in East Timor during the 1975 Indonesian invasion) reporter
for the Sydney Morning Herald and Channel 7 describes her feelings on Greg's
assignment to Timor; Greg's reasons for visiting Timor; her feelings on
loyalty, Greg's absence, practicality; how she learned he was missing, presumed
dead; Greg's views on death and his future; her feelings on the job
risk.</entry><entry colname="col3">16mm; sound; colour;
8 min 49 sec.</entry><entry colname="col4"></entry></row><row>
<entry colname="col1">F10556</entry><entry colname="col2">Interview with Gerald
Stone (Frontline out-takes), 1978.<lb/>Gerald Stone as a journalist for News
Limited and television correspondent for the Australian Broadcasting Commission
(ABC) describes why journalists enter a war zone; excitement of war as
described by Associated Press photographer Horst Faust; veteran reporters are
not cynics; 1965 bombing of the Mekong floating restaurant when Murray Wilmont
photographed the casualties, justified as reporters doing the job; morals
within journalism and other professions; reporting about the human condition;
opinion of Neil Davis as a journalist and his surviving a mortar shell
exploding in Cambodia; at the start of the war the reporters sent were police
roundsmen;  TV news editors  portrayed a sanitised version of the war; living
with the deaths of two cameramen he sent to Timor in 1975 when he was News
Director; common rapport between soldiers in the field; wearisome debate on the
impact of TV coverage of the war; objective reporting and personal bias;
Vietnam as a starting point of subjective journalism; having no humorous
recollections; humorous incident involving Hunter Mayo and Alan Ramsay fighting
in a jeep; excitement of being in a war; women leaders would not end
wars.</entry>
<entry colname="col3">16mm; sound; colour; 19 min 50 sec.</entry>
<entry colname="col4">Related items: S03277; S03278;
transcript.</entry></row><row>
<entry colname="col1">F10557</entry>
<entry colname="col2">Interview with Brian Taylor (Frontline out-takes),
1978.<lb/>Brian Taylor as a cameraman for the British based Independent
Television News (ITN) describes his luck during the Vietnam war; calculating
risk; his assessment of a helicopter flight from a Special Forces camp; ambush
evasion technique; caution during patrol; assessing danger; experiencing
'carrier warfare'; difficulty in filming during bombing runs; US cooperation in
filming by providing suitable aircraft such as the A-6 Intruder; hazards of
landing on an aircraft carrier; torture and killing of captured reporters early
on in the war by the Viet Cong; a Swiss cameraman who had his eyes cut out and
another reporter who was disembowelled; equipment and money carried by
cameramen an incentive for the Viet Cong to kill them; dangerous assignment at
Du Coq (?) a Special Forces camp  before it was overrun; assessment of
Australian political and public knowledge of the war; Australian troops;
reasons for going to Vietnam.</entry><entry colname="col3">16mm; sound; colour;
15 min 11 sec.</entry><entry colname="col4">Related item:
S03291.</entry></row><row>
<entry colname="col1">F10558</entry><entry colname="col2">Interview with Dennis
Warner (Frontline out-takes), 1978.<lb/>Dennis Warner as a correspondent for
John Fairfax &amp; Sons Ltd and Herald &amp; Weekly Times, the Melbourne
Herald, London Daily Telegraph, Reporter Magazine and Look Magazine describes
inadequate Australian media coverage of the Vietnam war; his years spent in
Vietnam as a correspondent 1949-1975; coping with fear in a war zone; first
time under fire is acutely disturbing; being a passenger on an aircraft under
fire at Khe Sanh during the Tet offensive; experiencing a mortar attack in
Cambodia, and Kamikaze aircraft off Okinawa during the Second World War;
challenge of being a war correspondent; withholds opinion of Wilfrid Burchett
due to ten years of libel suits; news from North Vietnam reported by 'trained
seals'; being expelled from Vietnam by the French for predicting their defeat;
the 'termite theory' of Communist expansion in South East Asia and its
confirmation at SEATO in 1955. </entry>
<entry colname="col3">16mm; sound; colour; 4 min 10 sec.</entry>
<entry colname="col4">Sound drifts out of sync as the item progresses due to
fault with the audio tape recorder pilot tone at the tiem teh orignal recording
was made. Film runs out and interview concludes as audio only.  Related
items: S03282; S03283; transcript.</entry></row><row><entry
colname="col1">F10559</entry>
<entry colname="col2">Interview with Les Wasley and Alan Hogan (Frontline
out-takes), 15 March 1978.<lb/>Alan Hogan as a correspondent for the Australian
Broadcasting Commission (ABC) and Les Wasley as a cameraman for the ABC, both
on a media tour of South Vietnam during the North's invasion in 1975, describe
differences between reporting wars in Korea, the Middle East and South Vietnam;
impressions of South Vietnam and the poor morale of the Army of the Republic of
Vietnam (ARVN)  during a media guided tour; evacuating by helicopter during the
the battle for Xuan Loc; panic among cvilians and soldiers to leave and  Wasely
filming while they scrambled to get on the Chinook helicopter; Xuan Loc
portrayed by the South as a victory but actually ended up as a defeat;
artillery fire and civilian trauma during the fall of Saigon; pleas by
Vietnamese to help them flea to Australia; unreality of boarding a departure
flight amid an atmosphere of tragedy; relationship with their taxi driver;
emotional pain of witnessing human suffering; impact of limited TV coverage on
public opinion of the war.</entry><entry colname="col3">16mm; sound; colour;
21 min 34 sec.</entry><entry colname="col4">Related items: S03289;
S03295; transcript.</entry></row><row>
<entry colname="col1">F10560</entry><entry colname="col2">Interview with Mike
Willesee (Frontline out-takes), 15 March 1978.<lb/>Mike Willesee as a
correspondent for the Daily News, Macquarie Broadcasters and the Australian
Broadcasting Commission describes experiences while filming the by product of
war at an orphanage run by Buddhist Monks; orphange fired upon by ARVN troops
since the orphanage was suspected as harbouring Viet Cong; first visit to
Vietnam in 1967 and concern that there was not any identifable cause;
experiences with Neil Davis; war correspondents tried to be objective unlike
political commentators; developed belief of the Vietnamese right of self
determination; Australian news coverage limited and ordinary; role of
Television in shaping public opinion and the anti-war movement; extent of
misinterpretation of the Vietnam conflict; role of the media and reporters; his
experiences of the Vietnamese attitude; becoming more fatalistic; explains that
there was little action footage of Australian troops because they saw little
action in Phuoc Tuy Province; differences between Australian and US soldiers;
extent of international involvement; changing public opinion towards the war.
</entry>
<entry colname="col3">16mm; sound; colour; 21 min 27 sec.</entry>
<entry colname="col4">Film runs out and interview continues as sound only.
Related
items: S03279; S03280; transcript.</entry></row><row><entry
colname="col1">F10561</entry>
<entry colname="col2">Interview with Peter Meakin (Frontline out-takes), 20
April 1978.<lb/>Meakin Peter as Channel 10 news editor and later Nine Network's
head of news and current affairs describes public reaction to the execution of
a Viet Cong; presentation of the Vietnam war by commercial TV stations; bias
and limitations of reporting; reaction to the anti-war movement; TV and public
opinion.</entry><entry colname="col3">16mm; sound; colour;
9 min 7 sec.</entry><entry colname="col4">Related item:
transcript.</entry></row><row>
<entry colname="col1">F10562</entry><entry colname="col2">Interview with
Cynthia Ferguson (Frontline out-takes), 23 February 1978. <lb/>Cynthia Ferguson
as the wife of ABC correspondent Tony Ferguson describes her feelings and
experiences during the 1968 Tet offensive in Saigon.</entry>
<entry colname="col3">16mm; sound; colour; 4 min 33 sec.</entry>
<entry colname="col4">Related item: S03269; transcript.</entry></row><row>
<entry colname="col1">F10563</entry>
<entry colname="col2">Interview with Anthony Ferguson (Frontline out-takes), 23
February 1978.<lb/>Anthony Langbene (Tony)  Ferguson as a roving correspondent
for the Australian Broadcasting Commission (ABC) news department and Radio
Australia describes Vietnam war coverage by the ABC; a patrol with the 'junk
force'; beginning of the Tet offensive; General Westmoreland in the US Embassy
compound; US Colonel and a wounded Viet Cong; filming an interview with Wilfrid
Burchett, and how the film was destroyed by the ABC; Australians working for US
media networks; Don Simmons and Neil Davis.</entry><entry colname="col3">16mm;
sound; colour;
13 min 33 sec.</entry><entry colname="col4">Related item:
S03268; transcript.</entry></row><row>
<entry colname="col1">F10564</entry><entry colname="col2">Interview with Ross
Symons (Frontline out-takes), 15 March 1978.<lb/>Ross Symons as an Australian
Broadcasting Commission newsreader describes his feelings toward the Vietnam
war story; ABC coverage of the Vietnam war; comparison between Australian and
US coverage of the Vietnam war; public opinion; anti-war movement; not everyone
apathetic toward TV.</entry>
<entry colname="col3">16mm; sound; colour; 7 min 14 sec.</entry>
<entry colname="col4">Related item: transcript.</entry></row><row>
<entry colname="col1">F10565</entry>
<entry colname="col2">Interview with Edward R. Bradley (Frontline out-takes),
22
October 1978. <lb/>Interview with Edward R. Bradley as an American CBS war
correspondent in Cambodia. How Neil Davis saved his life during his first
combat experience. Leaving Phnom Penh during the Khmer Rouge take over. Neil
Davis fears for his Cambodian friends - crying on the helicopter during the
evacuation. American coverage of the war was the story was American because
most of the fighting done by the Americans. He didn't believe that the South
Vietnamese were doing most of the fighting - didn't think that the Army of the
Republic of Vietnam (ARVN) was an efficient fighting force. Compares Viet Cong
(VC) with the ARVN - he lived with the VC for one month. The VC were committed
to their cause. South Vietnamese could buy there way out. Corruption in the
South Vietnamese forces led to demorialization. Part of the reason for the
collapse of the ARVN during the North Vietnameses Army's (NVA) offensive. Neil
Davis sixth sense for combat. Take 2 The American public switched off after the
US pull out - people generally lost interest. Scenes in Saigon on the last few
days before the fall of Saigon. North Vietnamese air attack using captured
South Vietnamese aircraft. ARVN troops jumpy. Everyone was shooting at
anything. ARVN officer shot at journalists - thought time to leave not because
of the NVA but because of the ARVN. Why Neil stayed in Vietnam - he thinks
because he left Cambodia. Neil was a complicated man - brave even foolhard but
also kind and gentle carred about people - especially in Cambodia. He was
genuinely concerned about covering the story. Every one respected Neil. CBS
offered him a job. [Tape runs out] Take 3 Neil refused the job offer by CBS as
he was afraid he would lose his independence. Neil wanted to work alone and
choose his own stories which would be impossible if he worked for a US network.
Take 4 Leaving Saigon by helicopter during the fall of the city and how
helicopters were pushed off US aircraft carriers to make room for others to
land.
</entry><entry colname="col3">16mm; sound; colour; 20 min 2 sec.</entry>
<entry colname="col4"></entry></row><row><entry colname="col1">F10566</entry>
<entry colname="col2">Interview with Joe Lee (Frontline out-takes),
1978.<lb/>Joe Lee as a cameraman correspondent for Associated Press describes
Neil Davis' fascination for Cambodia, his front line involvement and influence;
why Neil stayed in Saigon; events and emotions during the fall of
Saigon.</entry>
<entry colname="col3">16mm; sound; colour; 8 min 46 sec.</entry>
<entry colname="col4">Related item: transcript.</entry></row>
					 </tbody>
				  </tgroup>
				</table>
			 </add> 
		  </c01><c01 level="series"> 
			 <did> 
			 <unittitle id="five">Series 5: Out-takes of interviews with Neil Davis,
<unitdate>1978</unitdate>
				</unittitle> 
			 <abstract>The out-takes are from Bradbury's interviews with Davis in
Tasmania for <emph render="italic">In the eye of a
storm</emph></abstract></did> 
			 <add>
				<table>
				  <tgroup cols="4"><colspec colnum="1" colname="col1"
colwidth="1.00*"/><colspec colnum="1" colname="col2" colwidth="1.00*"/><colspec
colnum="2" colname="col3" colwidth="1.00*"/><colspec colname="col4" colnum="4"
colwidth="1.03*"/>
					 <tbody>
						<row> 
						  <entry colname="col1"><emph render="bold">Accession
							 number</emph></entry> 
						  <entry colname="col2"><emph render="bold">Title, date and
							 description</emph></entry> 
						  <entry colname="col3"><emph render="bold">Format and
duration</emph></entry><entry colname="col4"><emph render="bold">Curatorial
Notes and
accessories</emph></entry>
						</row>
						
						
						
						
						<row>
<entry colname="col1">F10567</entry>
<entry colname="col2">Interview with Neil Davis at Tim Bowden's Film 2 Take 2
(Frontline out-takes), 12 March 1978.<lb/>Neil Davis as a cameraman
correspondent explains what he means by fear of the unknown. In an action not
knowing what is going to happen and not knowing know how to react to a
situation or a fair idea how the opposing side is thinking. How in combat
soldiers will pick a target because there is something different about that
person and the determination to kill that person. Davis tells the story of one
occasion in Cambodia how he was picked as a target and how he survived. How
people mistake excitement and apprehension for real fear which he defines as
being unable to control your actions. Davis says he only experience fear of the
unknown on one occasion and this was in a wood littered with the dead after a
battle. Davis explains that it wasn't a fear of the enemy but of something
almost supernatural. Guarding against a feeling of invincibility due to being
able to handle yourself well in combat. Some of what Davis learned from his
time with the Viet Cong. Firstly that just like Davis the Viet Cong believed
that the Army of the Republic of Vietnam (ARVN) were the best troops on the
allied side. The Viet Cong considered the Americans as 'elephants' since they
bumbled around and could be easily detected because of the noise they made and
smell their shaving cream, toothpaste and cigarettes. The Viet Cong's animal
instinct and how their belief in their invincibility led them to make fatal
errors. The South Vietnamese also had this instinct and were able to counter
the Viet Cong. Describes in detail the attack by a helicopter gunship during
his stay in a Viet Cong village. Begins to tell how he returned with the film
back to the South Vietnamese side.</entry><entry colname="col3">16mm; sound;
colour;
10 min 1 sec.</entry><entry colname="col4">Related item:
transcript.</entry></row><row>
<entry colname="col1">F10568</entry><entry colname="col2">Interview with Neil
Davis at Tim Bowden's Film 3 Take 3 (Frontline out-takes), 12 March
1978.<lb/>Neil Davis as a cameraman correspondent continues with the story (see
F10567) of how he returned to the South Vietnamese lines with the film taken
with Viet Cong. How Davis was allowed to hide the film by a sympathetic South
Vietnamese Captain. Retells in detail the action were he was wounded in
Cambodia in 1974 and how he was saved from being killed by his audio cassette
recorder. Attitudes to death and dying - not afraid of death but of being badly
wounded. His belief that death is not the end and mentions that he is
influenced by Buddhist belief.  How being in battle gives him a much highly
developed state and awareness of feelings of life itself. The death of many
friends he made in Cambodia and Vietnam. Relates in detail how he tried to
rescued under fire a Cambodian photographer friend. Opinion of female
reporters. The camaraderie between male and female reporters not based on sex.
Davis also seen this with Cambodian female soldiers. The closeness that
develops between people under combat.</entry>
<entry colname="col3">16mm; sound; colour; 10 min 51 sec.</entry>
<entry colname="col4">Related item: transcript.</entry></row><row>
<entry colname="col1">F10569</entry>
<entry colname="col2">Interview with Neil Davis at Tim Bowden's Film 4 Takes 4
&amp; 5 (Frontline out-takes), 12 March 1979.<lb/>Neil Davis as a cameraman
correspondent explains that the experience of combat is to see a person
stripped of all pretensions and their reactions when their and others lives are
on the line. Combat fosters the development of a very close understanding and
camaraderie. Everyone is the supreme optimist as it is always someone else that
gets killed. How looking through the camera view finder can detach the
cameraman from what is happening around him. The view finder gives the
impression that you are watching a television show in part explains why the
cameraman can keep filming under heavy fire. Davis also attributes this to
training and that a well trained news cameraman will "get the film and keep it
rolling no matter what happens". Davis relates the story in detail of a
Vietnamese grenade thrower who filmed dying after he was hit by automatic fire.
Why he would continue to risk his life to film in combat situations - the
satisfaction of what he achieved and to the truth and the story.</entry>
<entry colname="col3">16mm; sound; colour;
10 min 48 sec.</entry><entry colname="col4">Related item:
transcript.</entry></row><row>
<entry colname="col1">F10570</entry><entry colname="col2">Interview with Neil
Davis at Tim Bowden's Film 5 Take 6 (Frontline out-takes), 12 March
1979.<lb/>Neil Davis as a cameraman correspondent on the account given by an
Australian journalist who claimed to a survivor of Viet Cong ambush in Cholon,
Saigon. Davis and other journalists didn't believe in was on the vehicle with
the journalists that were killed. Davis comments that this journalist never
been in combat and that he never let accuracy get in the way of a good story.
Why Davis didn't stay behind in Phnom Penh when the city fell to the Khmer
Rouge. Davis was convinced that the Communists would be brutal as he had seen
the massacre of villagers by the Khmer Rouge. The North Vietnamese and Viet
Cong in comparison were well trained and disciplined troops and didn't conduct
massacres when they occupied territory. The Khmer Rouge would not spare
journalists. How Davis survived a battle in early on in the war in Vietnam by
using dead bodies of soldiers as protection as there was no other cover. 
Shrapnel from mortar and artillery shells the greatest danger when caught out
in the clear. Davis's advice to a young journalist going out into a war zone is
to watch and do what the soldiers do. Briefly relates the time he was in a
helicopter when it was hit by enemy fire in Vietnam in 1972.</entry>
<entry colname="col3">16mm; sound; colour; 7 min 22 sec.</entry>
<entry colname="col4">Related item: transcript.</entry></row><row>
<entry colname="col1">F10571</entry>
<entry colname="col2">Interview with Neil Davis for In the eye of a storm -
Sydney Film 1, 1978.<lb/>Neil Davis as a cameraman correspondent at the
Cenotaph in Martin Place, Sydney talks about leaving the Australian
Broadcasting Commission and then working for Visnews. Gives his opinion of
Gurkha troops as perhaps the best soldiers and relates a story of Gurkhas in
action against the Indonesians in Borneo. The tradition behind the Gurkha's
main weapon the Kukri knife. The British employing head hunters in Borneo
during the Second World War to hunt Japanese troops. Scenes of David walking
through streets of Sydney. Davis's voice over about his philosophy of life and
the cultural shock of returning to a big Australian city since living in Asia.
Take 4. Davis opinions on the former  President of Indonesia Sukarno and Davis
coverage of riots in Indonesia. Comments on the Australian journalist killed in
Timor.</entry><entry colname="col3">16mm; sound; colour;
9 min 53 sec.</entry><entry colname="col4"></entry></row><row>
<entry colname="col1">F10572</entry><entry colname="col2">Interview with Neil
Davis for In the eye of a storm - Sydney Film 2 Tk 5, 1978.<lb/>Neil Davis as a
cameraman correspondent on being thousands of time in combat; on occasions
close enough to hear the taunts of the Viet Cong or North Vietnamese soldiers;
swearing exchanges between the tow opposing sides could be funny; how he drove
to the war in his Mercedes car in Cambodia; the  difference between the
fighting in Cambodia which was for control of the major highways to South
Vietnam was off the road in the fields; say in Cambodia 'take any road' because
one could find action along any of those seven highways;  during his time in
Indo China there were over thirty journalists or cameramen killed in Cambodia
and fifty to sixty in South Vietnam;  Davis new most of them and counted twenty
to thirty as close friends; how close relationships develop with other
correspondents and soldiers after sharing the ultimate experience of putting
your life on the line by being in combat; Davis names some of his close friends
who were killed, Japanese photographer Kyoichi Sawada 1966 Pulitzer Prize
winner killed in Cambodia on 28 October 1970 ; Life magazine photographer Larry
Burrows and Ken Potter of UPI killed in Laos when their helicopter was shot
down on 10 February 1971; one of Davis' closest friends the Korean Joe Lee;
Davis went out with Lee more than any one else; how Lee lost his leg and kept
filming when his soundman triggered a mine in Thailand; Davis hospitalised six
times; how either he or Lee were constantly casualties during a two year
period; beings to tell the instant where fate saved his life early in 1964
during the first big action of the war.</entry>
<entry colname="col3">16mm; sound; colour; 6 min 14 sec.</entry>
<entry colname="col4">Camera runs out of film interview
ends.</entry></row><row><entry colname="col1">F10573</entry>
<entry colname="col2">Interview with Neil Davis for In the eye of a storm -
Sydney Film 3, 1978.<lb/>Neil Davis, as a cameraman and war correspondent, on
the part fate plays in a war. He felt his obligation as a cameraman and
correspondent was to bring truth to the people. The television coverage of the
war left a lot to be desired however it did show for the first time the ugly
reality the war. Davis' 11-year stay in Indo China substantiates his personal
view of the war being the most significant event since the Second World War.
Davis also made many close friendships there. Bradbury asks were there any
elements of racism with the American troops. Davis answers that the Americans
did not really understand the Vietnamese because had not been indoctrinated
enough. They did not come in contact with the ordinary Vietnamese but rather
the people who made money from the American presence. They did not really meet
the ARVN because the Vietnamese fought their own war. American media coverage
focused on the Americans, unlike Davis', which mainly covered the Vietnamese.
The war in a broad sense was communism versus capitalism but also could be seen
as an episode where people were emerging from feudalism and gaining their
independence and freedom. Davis tried to stay neutral with his coverage despite
his sympathies being with the Vietnamese people. Davis does not think that
there was any way that the American could have won the war. The American
bombing of the North brought the Communists to the conference table but he
feels it made no real difference to the outcome. US employment of laser guided
weapons that destroyed surface to air missile (SAM) sites and strategic
bridges. The sophistication of the North's anti-aircraft system. Davis mentions
the 'people sniffer' used by the Americans as an example of the sophisticated
technology employed in the war and how this sometimes failed. Evasion tactics
to avoid the radar guided SAM. Brief mention of helicopter losses in South
Vietnam and the introduction of the shoulder mounted SAM (Soviet SA-7) by the
North Vietnamese.</entry><entry colname="col3">16mm; sound; colour;
10 min 40 sec.</entry><entry colname="col4">Related item:
transcript.Indochina</entry></row><row>
<entry colname="col1">F10574</entry><entry colname="col2">Interview with Neil
and Julie Davis for In the eye of a storm - Sydney Films 4 &amp; 5,
1978.<lb/>Continuation of F10573 with Neil Davis describing the shoulder
launched heat seeking anti aircraft guided missile (Soviet SA-7) employed by
the North Vietnamese in 1972.  How the Americans developed a 'stove pipe'
exhaust system for their helicopters to foil the missile. Davis describes the
siege of Khe Sahn in northern South Vietnam which he likened to when the 
French besieged in 1954 at Dien Bien Phu. The rivalry between the United States
Marines and the United States Air Cavalry and how some Marines fired at the US
Air Cavalry helicopters as they were coming in to relieve them at Khe Sanh.
Davis was the only Western journalist allowed to go with the South Vietnamese
troops into northern South Vietnam during the 1972 Spring offensive. The South
Vietnamese Marines acknowledged Davis as he spent many years covering the South
Vietnamese involvement in the war. The 1972 Spring Offensive and 1968 Tet
Offensive saw the heaviest fighting of the war. Davis covered the only large
scale amphibious operation of the war when the Vietnamese Marines landed in a
two battalion force at Wanda Beach Quang Tri Province.  Takes 8 and 9. Julie
Davis as wife of cameraman correspondent Neil Davis responds to questions about
her feelings on her husband's work and hopes for the future.</entry>
<entry colname="col3">16mm; sound; colour; 10 min 44 sec.</entry>
<entry colname="col4">Related item: transcript.</entry></row><row>
<entry colname="col1">F10575</entry>
<entry colname="col2">Interview with Neil Davis for In the eye of a storm -
Sydney Film 6, 1978.<lb/>The unique way that the Americans had of interrogating
Viet Cong prisoners by pushing them off helicopters. He believes that war is a
series of atrocities and the Americans were not any worse in committing them
than the Communists. Davis gives his opinions on Wilfred Burchett. He regards
him as very dedicated to what he believed and that was that Communism was a way
for the peoples of South East Asia to gain their independence from colonial
influence and freedom from their traditional feudal systems. Davis does not
believe that Burchett was involved in the interrogation of Australian POWs
during the Korean War. He admits that Burchett did on some occasions speak to
Australian captives but that this was at the request of the Australian
Government. Davis believes that Burchett was a brave man and the several months
that he stayed with the Viet Cong proved that. Davis refusal of offers to work
for US networks was because he wanted to work alone and that he would not have
the freedom in selecting his own stories.  The stories covers would have a US
slant while Davis wanted to present an unbiased account from an unbiased source
i.e. himself. Heavy coverage of the US involvement by the networks gave the
perception that the Americans were doing most of the fighting.  How Davis kept
to his verbal agreement with NBC over the Presidential Palace footage even
though he could have sold that footage for ten times the amount to a rival
network. Briefly gives his opinions on the major trouble spots for the next
five to ten years in southern Africa and the possibility limited nuclear
warfare. His opinion of the mercenary leader Callan in Angola. Brief mention of
other stories Davis covered such as a tidal wave in Bangladesh and an
earthquake in Manila. Comparisons with Damien Parer similar attitudes since
Parer also preferred to work alone.</entry><entry colname="col3">16mm; sound;
colour;
10 min 54 sec.</entry><entry colname="col4"></entry></row><row>
<entry colname="col1">F10576</entry><entry colname="col2">Interview with Neil
Davis for In the eye of a storm - Sydney Film 7, 1978.<lb/>Take 9. Neil Davis
as a cameraman correspondent on how through his geographical  knowledge of
Cambodia managed to get the story of Cambodia troops besieged in a 12 Century
Temple on the Thai border; asked of his recollection of a rocket exploding when
he was wounded the last time. [sound cut for 2 min 7 sec] Questioned why he
stayed in Saigon [sound cut 1 min 5 sec]; Davis on being tagged as a war
correspondent;  unlike his wife unable to see himself in a career as a
businessman; keeping his personal life and beliefs to himself;  having his on
way of working on being impatient working with others; acceptance of death when
it comes. Take 10. Never making plans for long term future; question on the
instance wounded and taken back with the [coconut milk] drip [sound cut 46
sec]; silent close up of Davis' current NBC News identity card; Davis and his
wife Julie at Kingsford Smith airport to leave Australia. </entry>
<entry colname="col3">16mm; sound; colour; 10 min 51 sec.</entry>
<entry colname="col4">OrigSanhinal sound missing for this film; sound complied
from
surviving edit track.</entry></row><row><entry colname="col1">F10577</entry>
<entry colname="col2">Interview with Neil Davis and David Schofield for
<emph render="italic">In the
eye of a storm</emph> - TAS Films 2 &amp; 3, 1978.<lb/>David Schofield
describes
country football, and Neil Davis as a young football player. Neil Davis
describes his ancestral heritage and childhood life on a farm in Sorell; how
this gave him an affinity to Asian peasants with similar problems and
philosophy; deaths of his parents; how his childhood environment influenced him
and helped him adapt as an adult in Asia; playing country football; begins to
describe a country 'character'.
</entry><entry colname="col3">16mm; sound; colour;
13 min 55 sec.</entry><entry colname="col4"></entry></row><row>
<entry colname="col1">F10578</entry><entry colname="col2">Interview with Neil
Davis for <emph render="italic">In the eye of a storm</emph> - TAS Film 4,
1978.<lb/>Neil Davis as a
cameraman correspondent for Visnews Ltd describes a country 'character' and his
visit to Bellerive; leaving his household and friends in Phnom Penh three days
before it fell to communist forces.</entry>
<entry colname="col3">16mm; sound; colour; 3 min 49 sec.</entry>
<entry colname="col4"></entry></row><row><entry colname="col1">F10579</entry>
<entry colname="col2">Interview with Neil Davis for In the eye of a storm - TAS
Film 5 Slates 15 - 20, 1978.<lb/>David Schofield describes rough justice as a
young football player in Tasmania; Neil Davis as a footballer and local
identity; first recollections of Neil Davis. Neil Davis describes the influence
of his brother in the RAN; Victory Japan Day in Sorell; influence of the Second
World War in early life; misbehaviour at school; parents ambitions for
him.</entry><entry colname="col3">16mm; sound; colour;
8 min 57 sec.</entry><entry colname="col4"></entry></row><row>
<entry colname="col1">F10580</entry><entry colname="col2">Interview with Neil
Davis for In the eye of a storm - TAS Film 5 Slate 21, 1978.<lb/>Take 21. Neil
Davis as a cameraman correspondent is asked about premonitions of his own death
[sound cut 33 sec]; confident that he would survive even when he was severely
wounded in action as well as when he was a young man suffering from polio
mmellitusellitus; personal faith a belief in reincarnation as result of living
in Asia
and as the reason for not fearing death; on being born into the Anglican faith
but refusing to be confirmed; asked why he now accepts reincarnation as an
explanation of life after death; [sound cut 21 sec]; Davis "You only fear death
if you feel that's the end." [sound cut 41 sec]; Takes 22-24 funeral procession
at a church and silent scenes of Hobart including the ABC building; Take 25
Davis outside the Gordon Highlander Hotel recounts the story of how his Great
Grandfather a journalist and runner died outside the hotel after stopping for a
beer after his weekly 30-mile run.</entry>
<entry colname="col3">16mm; sound; colour; 10 min 40 sec.</entry>
<entry colname="col4">Original sound missing for this film; sound complied from
surviving edit track.</entry></row>
					 </tbody>
				  </tgroup>
				</table>
			 </add> 
		  </c01><c01 level="series"> 
		  <did> 
			 <unittitle id="six">Series 6: Sound items,
				
				<unitdate>1964-1974</unitdate>
				</unittitle> 
			 <abstract>Original sound recordings in the collection.</abstract>



		  </did> 
		   
			 <add>
				<table>
				  <tgroup cols="3"><colspec colnum="1" colname="col1"
colwidth="*"/><colspec colnum="1" colname="col2"
colwidth="*"/><colspec colname="col03" colnum="3"
colwidth="*"/><colspec colnum="4" colname="col3" colwidth="*"/>
					 <tbody>
						<row> 
						  <entry colname="col1"><emph render="bold">Accession
							 number</emph></entry> 
						  <entry colname="col2"><emph render="bold">Title, date and
							 description</emph></entry><entry colname="col03"><emph
render="bold">Format and
duration</emph></entry> 
						  <entry colname="col3"><emph render="bold">Note</emph></entry>
						</row>
						<row> 
						  <entry colname="col1">S03265</entry> 
						  <entry colname="col2">Tim Bowden as a journalist for the Australian
Broadcasting Commission (ABC), South East Asia 1965-1967, interviewed by David
Bradbury</entry><entry colname="col03">11 min</entry> 
						  <entry colname="col3">N/A</entry>
						</row>
						<row> 
						  <entry colname="col1">S03266</entry> 
						  <entry colname="col2">Mike Carlton as a journalist for the Australian
Broadcasting Commission (ABC), South Vietnam 1966-1967 and 1970, interviewed by
David Bradbury</entry><entry colname="col03">32 min</entry> 
						  <entry colname="col3">N/A</entry>
						</row>
						<row> 
						  <entry colname="col1">S03267</entry> 
						  <entry colname="col2">Mike Carlton as a journalist for the Australian
Broadcasting Commission (ABC), South Vietnam 1966-1967 and 1970, interviewed by
David Bradbury [continuation of AWM F10542]</entry><entry
colname="col03">TBC</entry> 
						  <entry colname="col3">Related item: F10542</entry>
						</row>
						<row> 
						  <entry colname="col1">S03268</entry> 
						  <entry colname="col2">Tony Ferguson as a journalist for the Australian
Broadcasting Commission (ABC), South Vietnam 1964-1969, interviewed by David
Bradbury</entry><entry colname="col03">1 hr 2 min</entry> 
						  <entry colname="col3">N/A</entry>
						</row>
						<row> 
						  <entry colname="col1">S03269</entry> 
						  <entry colname="col2">Cynthia Ferguson as the wife of Australian
Broadcasting Commission (ABC) journalist Tony Ferguson, South Vietnam
1964-1969, interviewed by David Bradbury</entry><entry colname="col03">6
min</entry>

						  <entry colname="col3">N/A</entry>
						</row><row><entry colname="col1">S03270</entry><entry colname="col2">Noel
Bennell as a journalist for Channel 10, South Vietnam 1972, interviewed by
David Bradbury</entry><entry colname="col03">23 min</entry>
<entry colname="col3">N/A</entry></row><row>
<entry colname="col1">S03271</entry>
<entry colname="col2">Phil Koch as a journalist for the Australian Broadcasting
Commission (ABC), South Vietnam 1967, interviewed by David Bradbury</entry>
<entry colname="col03">16 min</entry><entry
colname="col3">N/A</entry></row><row>
<entry colname="col1">S03272</entry><entry colname="col2">Brian  Peck as a
journalist for the Australian Broadcasting Commission (ABC), South Vietnam
1968-1970, interviewed by David Bradbury</entry><entry colname="col03">16
min</entry>
<entry colname="col3">N/A</entry></row><row><entry
colname="col1">S03273</entry>
<entry colname="col2">Kim Simmons as the wife of Australian Broadcasting
Commission (ABC) journalist Donald Simmons, South Vietnam 1960-1966,
interviewed by David Bradbury</entry><entry colname="col03">6 min</entry>
<entry colname="col3">N/A</entry></row><row><entry
colname="col1">S03274</entry>
<entry colname="col2">Donald Simmons as a journalist for the Australian
Broadcasting Commission (ABC), South Vietnam 1960-1966, interviewed by David
Bradbury</entry><entry colname="col03">54 min</entry><entry
colname="col3">N/A</entry></row><row><entry colname="col1">S03275</entry>
<entry colname="col2">Jim Revitt as a journalist for the Australian
Broadcasting Commission (ABC), South Vietnam 1966-1967, interviewed by David
Bradbury</entry><entry colname="col03">43 min</entry><entry
colname="col3">N/A</entry></row><row><entry colname="col1">S03276</entry>
<entry colname="col2">Jim Revitt as a journalist for the Australian
Broadcasting Commission (ABC), South Vietnam 1966-1967, interviewed by David
Bradbury [continuation of AWM F10554]</entry><entry colname="col03">TBC</entry>
<entry colname="col3">Related
item: F10554. </entry></row><row><entry colname="col1">S03277</entry>
<entry colname="col2">Gerald Stone as a journalist for News Limited, South
Vietnam 1965 and the Australian Broadcasting Commission (ABC), South Vietnam
1970, interviewed by David Bradbury</entry><entry colname="col03">32
min</entry>
<entry colname="col3">N/A</entry></row><row>
<entry colname="col1">S03278</entry>
<entry colname="col2">Gerald Stone as a journalist for News Limited, South
Vietnam 1965 and the Australian Broadcasting Commission (ABC), South Vietnam
1970, interviewed by David Bradbury [continuation of AWM F10556]</entry>
<entry colname="col03">TBC</entry>
<entry colname="col3">Related item: F10556</entry></row><row>
<entry colname="col1">S03279</entry>
<entry colname="col2">Mike Willesee as a journalist for the Daily News,
Macquarie Broadcasters, South Vietnam 1967 and the Australian Broadcasting
Commission (ABC), South Vietnam 1969 and 1970, interviewed by David
Bradbury</entry><entry colname="col03">21 min</entry><entry
colname="col3">N/A</entry></row><row><entry colname="col1">S03280</entry>
<entry colname="col2">Mike Willesee as a journalist for the Daily News,
Macquarie Broadcasters, South Vietnam 1967 and the Australian Broadcasting
Commission (ABC), South Vietnam 1969 and 1970, interviewed by David
Bradbury [continuation of AWM F10560]</entry><entry colname="col03">TBC</entry>
<entry colname="col3">Related item: F10560</entry></row><row>
<entry colname="col1">S03281</entry>
<entry colname="col2">Graham McInerney as a photographer for the Adelaide
Advertiser, South Vietnam 1968-1969, interviewed by David Bradbury</entry>
<entry colname="col03">42 min</entry><entry
colname="col3">N/A</entry></row><row>
<entry colname="col1">S03282</entry><entry colname="col2">Dennis Warner as a
journalist for the Herald &amp; Weekly Times, South Vietnam 1964-1972 and John
Fairfax &amp; Sons Ltd, South Vietnam 1966-1968, interviewed by David
Bradbury</entry><entry colname="col03">15 min</entry><entry
colname="col3">N/A</entry></row><row><entry colname="col1">S03283</entry>
<entry colname="col2">Dennis Warner as a journalist for the Herald &amp; Weekly
Times, South Vietnam 1964-1972 and John Fairfax &amp; Sons Ltd, South Vietnam
1966-1968, interviewed by David Bradbury [continuation of AWM F10558]</entry>
<entry colname="col03">TBC</entry>
<entry colname="col3">Related item: F10558</entry></row><row>
<entry colname="col1">S03284</entry>
<entry colname="col2">Pat Burgess as a journalist for John Fairfax &amp; Sons
Ltd, South Vietnam 1965, 1966 and 1967-1968, interviewed by David
Bradbury</entry><entry colname="col03">32 min</entry><entry
colname="col3">N/A</entry></row><row><entry colname="col1">S03285</entry>
<entry colname="col2">Pat Burgess as a journalist for John Fairfax &amp; Sons
Ltd, South Vietnam 1965, 1966 and 1967-1968, interviewed by David
Bradbury [continuation of AWM F10541]</entry><entry colname="col03">TBC</entry>
<entry colname="col3">Related
item: F10541</entry></row><row><entry colname="col1">S03286</entry>
<entry colname="col2">Peter Leyden as a cameraman for News Limited, South
Vietnam 1969, interviewed by David Bradbury</entry><entry colname="col03">1
hr 3 min</entry><entry colname="col3">N/A</entry></row><row>
<entry colname="col1">S03287</entry><entry colname="col2">Robert Greenwood as a
cameraman for the American National Broadcasting Company Inc (NBC), South
Vietnam 1966, interviewed by David Bradbury</entry><entry colname="col03">54
min</entry><entry colname="col3">N/A</entry></row><row>
<entry colname="col1">S03288</entry><entry colname="col2">Ian Mackay as a
journalist for the Independent Television News (ITN) and the Australian
Broadcasting Commission (ABC), South Vietnam 1965-1966, interviewed by David
Bradbury</entry><entry colname="col03">31 min</entry><entry
colname="col3">N/A</entry></row><row><entry colname="col1">S03289</entry>
<entry colname="col2">Alan Hogan as a journalist for the Australian
Broadcasting Commission (ABC), South Vietnam 1975, interviewed by David
Bradbury</entry><entry colname="col03">24 min</entry><entry
colname="col3">N/A</entry></row><row><entry colname="col1">S03290</entry>
<entry colname="col2">Don McLeod as a cameraman for Columbia Broadcasting
Commission (CBS), South Vietnam 1975, interviewed by David Bradbury</entry>
<entry colname="col03">44 min</entry><entry
colname="col3">N/A</entry></row><row>
<entry colname="col1">S03291</entry><entry colname="col2">Brian Taylor as a
cameraman/correspondent for the Independent Television News (ITN) and the
Australian Broadcasting Commission (ABC), South Vietnam 1965-1966, interviewed
by David Bradbury</entry><entry colname="col03">51 min</entry>
<entry colname="col3">N/A</entry></row><row>
<entry colname="col1">S03292</entry>
<entry colname="col2">Les Profitt as a cameraman for the Australian
Broadcasting Commission (ABC), South Vietnam 1965, interviewed by David
Bradbury</entry><entry colname="col03">37 min</entry><entry
colname="col3">Related item: F10553</entry></row><row><entry
colname="col1">S03293</entry>
<entry colname="col2">Darrell  Ford as a photographer Australian Army
Intelligence Corps Headquarters Australian Force, South Vietnam 1966,
interviewed by David Bradbury</entry><entry colname="col03">52 min</entry>
<entry colname="col3">N/A</entry></row><row>
<entry colname="col1">S03294</entry>
<entry colname="col2">Trevor Murrell as an editor for the Australian
Broadcasting Commission (ABC), South Vietnam in the period 1962-1972,
interviewed by David Bradbury</entry><entry colname="col03">20 min</entry>
<entry colname="col3">N/A</entry></row><row><entry
colname="col1">S03295</entry>
<entry colname="col2">Les Wasley as a cameraman for the Australian Broadcasting
Commission (ABC), South Vietnam 1975, interviewed by David Bradbury</entry>
<entry colname="col03">TBC</entry>
<entry colname="col3">N/A</entry></row><row>
<entry colname="col1">S03296</entry>
<entry colname="col2">Bill Pinwill as a journalist for the Australian
Broadcasting Commission (ABC), South Vietnam and Cambodia 1967-1971,
interviewed by David Bradbury [continuation of AWM F10539]</entry>
<entry colname="col03">TBC</entry>
<entry colname="col3">Related item: F10539</entry></row><row>
<entry colname="col1">S03297</entry>
<entry colname="col2">United States (US) Army infantry and armour operational
sounds, South Vietnam 1962-1972, recorded by David Bradbury for his documentary
'Frontline'</entry><entry colname="col03">56 min</entry><entry
colname="col3">N/A</entry></row><row><entry colname="col1">S03298</entry>
<entry colname="col2">Address to the American people by United States (US)
President Lyndon Baines Johnson</entry><entry colname="col03">42 min</entry>
<entry colname="col3">N/A</entry></row><row><entry
colname="col1">S03299</entry><entry colname="col2">Remarks of United States
President Lyndon Baines Johnson to US soldiers and presentation of medals at
Cam Ranh Bay, South Vietnam</entry><entry colname="col03">17 min</entry>
<entry colname="col3">N/A</entry></row><row><entry
colname="col1">S03300</entry><entry colname="col2">Press conference by United
States President Lyndon Baines Johnson</entry><entry colname="col03">40
min</entry><entry colname="col3">N/A</entry></row><row><entry
colname="col1">S03301</entry>
<entry colname="col2">Neil Davis as a cameraman/correspondent for Visnews Ltd,
Vietnam and Cambodia 1964-1975, interviewed by David Bradbury</entry>
<entry colname="col03">TBC</entry><entry colname="col3">Related item:
F10474</entry></row><row>
<entry colname="col1">S03302</entry><entry colname="col2">Neil Davis as a
cameraman/correspondent for Visnews Ltd, Vietnam and Cambodia 1964-1975,
interviewed by David Bradbury [<emph render="italic">Frontline
</emph>out-takes Film 1/Take 1]</entry><entry colname="col03">TBC</entry>
<entry colname="col3">N/A. Note: FIlm component not deposited at the
Memorial</entry></row>
					 </tbody>
				  </tgroup>
				</table>
			 </add> 
		   
		</c01><c01 level="series"> 
		  <did> 
			 <unittitle id="seven">Series 7: Related documentation,
				
				<unitdate>1964-1974</unitdate>
				</unittitle> 
			 <abstract>Production and related documentation. Please contact the Curator
of Film for
access to this
material.</abstract>



		  </did> 
		   
			  
			 <add>
				<table>
				  <tgroup cols="2"><colspec colnum="1" colname="col1"
colwidth="1.00*"/><colspec colnum="1" colname="col2" colwidth="1.02*"/>
					 <tbody>
						<row> 
						  <entry colname="col1"><emph render="bold">Accession
							 number</emph></entry> 
						  <entry colname="col2"><emph render="bold">Title, date and
							 description</emph></entry> 
						  
						</row>
						<row> 
						  <entry colname="col1">           BOX 1: </entry><entry
colname="col2">ASSORTED DOCUMENTS</entry> 
						   
						  
						</row>
						<row> 
						  <entry colname="col1">Folder 1 </entry> 
						  <entry colname="col2">Frontline A4- size promotional leaflet</entry> 
						  
						</row>
						<row> 
						  <entry colname="col1">Folder 2 </entry> 
						  <entry colname="col2">Sound sheets - half a page of hand written
questions by recordist P. Manning
hand written precis of Peter Meakin interview 20 April 1978
</entry> 
						  
						</row>
						<row> 
						  <entry colname="col1">Folder 3 </entry> 
						  <entry colname="col2">Press releases</entry> 
						  
						</row>
						<row> 
						  <entry colname="col1">Folder 4 </entry> 
						  <entry colname="col2">Visnews sales invoice<lb/>Atlab
jobcard<lb/>Misceallaneous listening</entry> 
						  
						</row><row><entry colname="col1">Folder 5 </entry><entry
colname="col2">Visnews sheets for filmed news reports<lb/>Visnews sheets for
filmed news reports</entry></row><row><entry colname="col1">Folder 6 </entry>
<entry colname="col2">Visnews dope sheets<lb/>Neil Davis
films</entry></row><row><entry colname="col1">Folder 7 </entry>
<entry colname="col2">Copies of letters from Bob Greenwood, Darrell Ford<lb/>12
black-and-white photographs<lb/>'Tim Bowden looks back on Vietnam', ABC Radio
Guide vol
15., no.2, July 9-15 1977</entry></row><row><entry colname="col1">Folder 8
</entry><entry colname="col2">Sound sheet<lb/>
One  Atlab negative report sheet<lb/>
Nine  miscellaneous lists
</entry></row><row><entry colname="col1">Folder 9 </entry><entry
colname="col2">Sheet music</entry></row><row><entry colname="col1">Folder 10
</entry><entry colname="col2">Frontline editing worksheets</entry></row><row>
<entry colname="col1">BOX 2: </entry><entry colname="col2">INTERVIEW
TRANSCRIPTS</entry></row><row><entry colname="col1">Folder 1 </entry>
<entry colname="col2">F10475 - F10499 transcripts of interviews with Neil
Davis, Bangkok 1979 </entry></row><row><entry colname="col1">Folder 2 </entry>
<entry colname="col2">F10539 Noel Bennell: William (Bill) Rowland
Pinwill</entry></row><row><entry colname="col1">Folder 3 </entry>
<entry colname="col2">F10540 Tim Bowden</entry></row><row><entry
colname="col1">Folder 4 </entry><entry colname="col2">F10542 Michael (Mike)
Carlton</entry></row><row><entry colname="col1">Folder 5 </entry>
<entry colname="col2">F10543 Robert Clarke</entry></row><row>
<entry colname="col1">Folder 6 </entry><entry colname="col2">F10544 Darrell
Colin Ford</entry></row><row><entry colname="col1">Folder 7 </entry>
<entry colname="col2">F10545 Bob Greenwood</entry></row><row>
<entry colname="col1">Folder 8 </entry><entry colname="col2">F10545 Jack
Gulley</entry></row><row><entry colname="col1">Folder 9 </entry>
<entry colname="col2">F10547 Phillip Burton (Phil) Koch</entry></row><row>
<entry colname="col1">Folder 10 </entry><entry colname="col2">F10548 Phillip
Burton (Phil) Koch and Noel Bennell</entry></row><row><entry
colname="col1">Folder 11 </entry><entry colname="col2">F10549 Peter
Leydon</entry></row><row><entry colname="col1">Folder 12 </entry>
<entry colname="col2">F10550 Ian McKay</entry></row><row><entry
colname="col1">Folder 13 </entry><entry colname="col2">F10553 Les
Profitt</entry></row><row><entry colname="col1">BOX 3: </entry>
<entry colname="col2">INTERVIEW TRANSCRIPTS </entry>
</row><row><entry colname="col1">Folder 1
</entry><entry colname="col2">F10559 Les Wasley and Alan Hogan<lb/>F10560 Mike
Willesee</entry></row><row><entry colname="col1">Folder 2 </entry>
<entry colname="col2">F10561 Peter Meakin</entry></row><row>
<entry colname="col1">Folder 3 </entry><entry colname="col2">F10562 Cynthia
Ferguson 
<lb/> F10563 Tony Ferguson 
</entry></row><row><entry colname="col1">Folder 4 </entry><entry
colname="col2">F10564 Ross Symons</entry></row><row><entry
colname="col1">Folder 5 </entry><entry colname="col2">F10566 Joe
Lee</entry></row><row><entry colname="col1">Folder 6 </entry>
<entry colname="col2">F10567 - F10570 Timothy Gibson (Tim)
Bowden</entry></row><row><entry colname="col1">Folder 7 </entry>
<entry colname="col2">F10573 - F10574 <emph render="italic">In the eye of the
storm</emph></entry></row><row><entry colname="col1">Folder 8 </entry>
<entry colname="col2">Neil Davis transcripts  - voice over
only</entry></row><row>
<entry colname="col1">Folder 9 </entry><entry colname="col2">Neil Jarrett
transcript of interview</entry></row><row><entry colname="col1">Folder 10
</entry><entry colname="col2">Tim Bowden interview with Neil
Davis</entry></row><row><entry colname="col1">Folder 11 </entry>
<entry colname="col2">Undetermined opening: Dramatic
<lb/>US President L.B. Johnson's 1965 speech and Neil Davis
</entry></row>
					 </tbody>
				  </tgroup>
				</table>
			 </add> 
		   
		</c01> 
		
	 
	 </dsc> 
  </archdesc> 
</ead>
