• Reproducing Sister Lummer’s Ward Dress - Part 2

    Tuesday 21 October 2014 by Eleni Holloway. 2 comments

    Australian Army Nurse arrange for display with original cuffs, collar, apron and cape in the new First World War galleries. The only visible parts of the replica ward dress are the sleeves and skirt.

    Australian Army Nurse arrange for display with original cuffs, collar, apron and cape in the new First World War galleries. The only visible parts of the replica ward dress are the sleeves and skirt. In this blog I have briefly documented the steps that curators and conservators took to produce a First World War replica ward dress. This follows on from Part 1 which focused on the history of Sister Lummer’s dress, and the conservation…

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  • Preserving Sister Lummer’s Ward Dress Part 1- History

    Friday 26 September 2014 by Eleni Holloway. 3 comments

    Sister Lummer’s dress has two buttons on the bodice, and evenly spread gathers at the waistband, rather than pleats. The thick gathers at the shoulders, back and waste band allowed the necessary free movement.  RELAWM14065.001

    Sister Lummer’s dress has two buttons on the bodice, and evenly spread gathers at the waistband, rather than pleats. The thick gathers at the shoulders, back and waste band allowed the necessary free movement. RELAWM14065.001 Sister Rosalie Agnes Lummer was a distinguished nurse of the First World War. Born at Riverton, South Australia, she enlisted with the AIF on 27 July 1915, aged 29, and embarked for Bombay, India, in August …

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  • Conservation Cleaning of a Wedding Dress

    Monday 14 December 2009 by Jessie Firth. 5 comments

    Emma Jones previously mentioned in 60 year old sweat on a wedding dress – a conservation challenge the preparation of Miss Platt-Hepworth’s wedding dress for the exhibition Of Love and War. The decision was made by the curator Rebecca Britt to keep the staining as evidence of use. While the staining is important to keep, the fabric was not as lustrous as it once was. The dress has a pattern of pretty daises made from cream silk …

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  • "Dorothy" the Kitbag

    Friday 11 December 2009 by Bridie Kirkpatrick. 3 comments

    Isn’t it funny how things come about? While working on the textiles component for the exhibition Of Love and War a painted kitbag came to me for treatment. The lovely pin-up painted on the bag looked an awful lot like Dorothy Lamour, a beautiful actress known as the “Sarong Girl” in the 1940’s.  As the exhibition will be travelling I had to chuckle that Dorothy Lamour made a string of Bing Crosby/ Bob Hope “On the Road” …

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  • Wedding Dresses, Part 3

    Thursday 19 November 2009 by Sarah Clayton. 3 comments

    Once we determined that the remaining three wedding dresses, requested for the exhibtion Of Love and War, were able to be safely put on display, the textile conservators worked in collaboration with curators and exhibition staff to determine the dimensions of showcase and, the types and styles of mannequins. To get the most accurate dimensions the dresses were placed on temporary mannequins and the trains were arranged as they will fall …

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  • 60 year old sweat on a wedding dress - a conservation challenge

    Thursday 12 November 2009 by Emma Jones. 7 comments

    Back in September, I was doing some work out at our Treloar Annex, which is where our conservators work.  I was videoing the construction process of the mannequins being made for the 3 wedding dresses  that are to be included in the “Of love and war” exhibition. During a break in filming I got talking to Jessie Firth, who was working on one of the wedding dresses .  She was applying fake perspiration to material to see what effect…

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  • Wedding Dresses, part 2

    Wednesday 11 November 2009 by Sarah Clayton. 5 comments

     As previously explained four wedding dresses were initially selected for "Of Love and War". One of the wedding dresses, originally owned by Mrs N S Bissaker, required hundreds of hours of painstaking work before it would be strong enough for display, so unfortunately it will not be ready for display in “Of Love and War”.  Instead this dress with go on our Vulnerable Textiles conservation list and be conserved with all the care it …

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  • Wedding dresses

    Thursday 29 October 2009 by Emma Jones. 2 comments

    Here is the first of several blog posts about the wedding dreses being considered and conserved for our upcoming Of love and war exhibition. Recently the Textile Conservation Laboratory retrieved from storage four wedding dresses that are proposed for the up and coming exhibition Of love and war.  Three of the dresses - originally owned Mrs Isabel Bell, Mrs Audrey Norton  and Mrs Norma. Bissaker - are relatively new to the Memorial’s…

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  • Study for Dead Trooper

    Monday 2 July 2007 by Ilaria Poli.

    George Lambert ‘Study for Dead Trooper and detail of Turkish trench, Gallipoli (pro Patria)’ 1919 ART02857 The majority of conservation treatments on paintings in the George Lambert: Gallipoli Palestine Landscapes exhibition were relatiavely straightforward. There were a few exceptions to this rule, one being Study for Dead Trooper and detail of Turkish trench, Gallipoli (pro Patria), oil on canvas, 1918. A lot …

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  • the verso of the story

    Monday 30 April 2007 by Janda Gooding. 1 comments

    ART02856 ART02856 With all the work the conservation team - David, Ilaria, Sharon, Gajendra and Sophie - have done on the Lamberts for the exhibition, lots of new things have emerged - and the backs of the images are a goldmine for information. We've uncovered other paintings, unfinished sketches and interesting old labels. All of this adds to our understanding of George Lambert and how he worked. The 'Double trouble' …

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