Filet crochet was a popular craft before and during the First World War. Women would make decorative or functional items for the home such as tray cloths, milk jug covers, tea cosies, tablecloths and cushion covers. They also made decorative items for clothing, such as crochet lace collars or cuffs. During the First World War patriotic military themes were popular. Images such as ships, flags, soldiers and medals, along with slogans such as: ‘Success to the Allies’, ‘God bless our brave boys’, 'God bless our khaki boys' and ‘Our hero we're proud of him’ were available.
Emma Jones previously mentioned in 60 year old sweat on a wedding dress – a conservation challenge the preparation of Miss Platt-Hepworth’s wedding dress for the exhibition Of Love and War. The decision was made by the curator Rebecca Britt to keep the staining as evidence of use.
Friday 11 December 2009 by Bridie Kirkpatrick. 3 comments.
Collection, Exhibitions, Conservation, Of love and war Exhibition, Conservation, Of Love and War, Textile, kitbag, Sgn John Conrad Lynam, Dorothy Lamour, pin-up
Isn’t it funny how things come about? While working on the textiles component for the exhibition Of Love and War a painted kitbag came to me for treatment. The lovely pin-up painted on the bag looked an awful lot like Dorothy Lamour, a beautiful actress known as the “Sarong Girl” in the 1940’s. As the exhibition will be travelling I had to chuckle that Dorothy Lamour made a string of Bing Crosby/ Bob Hope “On the Road” films. The kitbag belonged to Signaller John Conrad Lynam, a timber cutter from Brisbane.
Once we determined that the remaining three wedding dresses, requested for the exhibtion Of Love and War, were able to be safely put on display, the textile conservators worked in collaboration with curators and exhibition staff to determine the dimensions of showcase and, the types and styles of mannequins.
As previously explained four wedding dresses were initially selected for "Of Love and War". One of the wedding dresses, originally owned by Mrs N S Bissaker, required hundreds of hours of painstaking work before it would be strong enough for display, so unfortunately it will not be ready for display in “Of Love and War”. Instead this dress with go on our Vulnerable Textiles conservation list and be conserved with all the care it deserves to preserve it for the future.