AIF aerodrome near Bertangles

Places
Accession Number ART02477
Collection type Art
Measurement sheet: 40 x 57.2 cm
Object type Work on paper
Physical description watercolour and gouache with pencil and charcoal on paper
Maker Fullwood, A Henry
Place made France: Picardie, Somme, Bertangles
Date made July 1918
Conflict First World War, 1914-1918
Copyright

Item copyright: Copyright expired - public domain

Public Domain Mark This item is in the Public Domain

Description

Depicts the AIF aerodrome near Bertangles, with field observation binoculars (tripod legs) in right foreground, several soldiers and pilots of the No 3 Squadron, aircraft in the aerodrome and sky (the aircraft are RE8 (Reconnaissance Experimental)), and several petrol cans can be seen ready to refuel aircraft.

The Bertangles aerodrome and airfield were part of No 3 Squadrons AFC site at Poulainville, where they were in support of Australian Corps headquarters. The Australian Flying Corps (AFC) was established in 1913 and the No. 3 Squadron arrived in France in September 1917. No. 3 Squadron (RE8s) was supporting the last phase of the Passchendale campaign in Flanders. Their main duty was spotting for the artillery but the bad weather during the winter months severely limited their opportunities.

Australian airmen played a limited role in the great advance from Amiens on 8 August 1918. No. 3 squadron assisted the attack with reconnaissance work and by flying patrols to help identify the position of the advancing infantry.

Prior to the war Albert Henry Fullwood (1863-1930) was a successful commercial artist. From April 1915 until November 1917 he served with the Royal Army Medical Corps as an orderly at the 3rd London General Hospital at Wandsworth in the company of fellow artists Coates, Roberts and Streeton. Fullwood was subsequently appointed an official war artist, attached to the 5th Division AIF, working in France between May and August 1918 and from December 1918 to January 1919. His major contribution as a war artist was to record aspects of the war which others may not have noticed or taken for granted. His works have a narrative element and captured Australian soldiers in 'straightforwardly picturesque views of their environment'.