Place | Oceania: New Guinea1, Papua New Guinea, Papua, Papuan Islands, D'Entrecasteaux Islands, Goodenough Island, Morata |
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Accession Number | ART96151 |
Collection type | Art |
Measurement | Sheet: 25.6 x 20.7 cm |
Object type | Work on paper |
Physical description | pencil, pen, ink and gouache on paper |
Maker |
Curtis, R Emerson |
Place made | New Guinea1: Papua New Guinea, Papua, Papuan Islands, D'Entrecasteaux Islands, Goodenough Island, Morata |
Date made | c.1944 |
Conflict |
Second World War, 1939-1945 |
Copyright |
Item copyright: AWM Licensed copyright |
"Livinai" Haiwali, Morata Island
Portrait of Livinai, with decorative comb in his hair. This portrait was reproduced in R. Curtis ' Men of Morata', Walkabout, 1 October 1944. In his article Curtis wrote ' Livinai, the boy with the smile, was born in the village named Haiwali. Livinai knows about planes and has flown in one twice; knows how to duck when the Jap bombs come and wears an identity disc, works in a native malaria- prevention squad, and has formed a taste for canned tomato juice, bully beef, American cigarettes and chewing gum'
In 1942, Curtis was appointed Officer in Charge of Camouflage in New Guinea. As well as recording the activities of the Australian and American troops, Curtis took every opportunity to visit local villages, creating a series of portraits of Papuan Islanders. Several of these drawings were used to illustrate short articles Curtis contributed to the Australian magazine 'Walkabout', and provide insight into the experiences of local civilians working for Australian troops or displaced by the conflict. Generally, the articles were observations on 'native' life, including marriage, wood carving, and body adornment, however Curtis also commented on distinguishing physiological features of individuals from different tribes.
Curtis was appointed as an official war artist in March 1945, covering the civil and industrial war effort in Australia.