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ID numberPAFU/863.01
Collection typeFilm
TitleThe Last Post Ceremony commemorating the service of Major Benjamin Bennett Leane, 48th Battalion (Infantry), First World War
DownloadDownload video 61.91 MB
Object typeLast Post film
MakerAustralian War Memorial
Place madeAustralia: Australian Capital Territory, Canberra, Campbell
Date made2 July 2013
Speech transcriptMajor Benjamin Bennett Leane, 48 Battalion
KIA 10 April, 1917 (No individual photograph in collection)

Story delivered 2 July 2013

Today, we remember and pay tribute to Major Benjamin Bennett Leane.

Born in Prospect, South Australia, on 3 June 1889, Leane was working as a warehouseman when the First World War began. He enlisted at Morphettville Racecourse on 19 August 1914 and became one of the first men to join the 10th Battalion, as his regimental number was 3. With his previous militia experience, he was soon promoted to sergeant.

From Outer Harbour, Adelaide, he embarked for service overseas aboard the transport Ascanius in December 1914. Following a period of training in Egypt the 10th Battalion, as part of the 3rd Brigade covering force, were amongst the first troops ashore on Gallipoli on 25 April. Leane was shot in the left arm during the day, and was first evacuated to Egypt, where he was commissioned second lieutenant, and then on to England to recover. He rejoined the battalion in August, and by the time the battalion was withdrawn from Gallipoli in December, he had been promoted to lieutenant and made battalion adjutant.

In Egypt, he was briefly seconded to the Camel Corps before his brother, Lieutenant Colonel Raymond Leane, had him transferred to the newly formed 48th Battalion as adjutant, where he was soon promoted captain to reflect his position. The battalion acquired the nickname "the Joan of Arc Battalion" as it was "made of all Leanes".

After arriving in France, the 48th Battalion took part in its first major actions at Pozières and Mouquet Farm. Leane's administrative handling of the battalion brought him to the attention of Brigadier General Duncan Glasfurd and the King of Serbia, who conferred upon him the Order of the White Eagle, 5th Class, with swords.

Leane was promoted major in October and became the 48th Battalion's second in command. He was a deeply thoughtful man, keeping a lively diary of his experiences, which he used as a way of talking to his wife from afar. He was also a very popular man among his fellow officers and men.

Following the winter of 1916-1917, the 48th Battalion was involved in the general advance to Bapaume and on towards Bullecourt. In the early hours of 10 April 1917, during the battalion's advance from Noreuil to Bullecourt, Leane was killed by shrapnel from a German barrage. Raymond Leane scoured the battlefield to find his brother's body. Initially buried near Dernancourt, Benjamin Leane was reinterred in Quéant Road Cemetery, Buissy, France in 1921. He was survived by his wife, Phyllis, and two daughters.

His name is listed on the Roll of Honour on my right, along with more than 60,000 others from the First World War, and his photograph is displayed today beside the Pool of Reflection.

This is but one of the many stories of courage and sacrifice told here at the Australian War Memorial. We now remember Major Benjamin Bennett Leane, and all those Australians who have given their lives in the service of our nation.
DescriptionThe Last Post Ceremony is presented in the Commemorative area of the Australian War Memorial every day. The ceremony commemorates more than 102,000 Australians who have given their lives in war and other operations and whose names are recorded on the Roll of Honour. At each ceremony the story behind one of the names on the Roll of Honour is told. Hosted by Meredith Duncan the story for this day was on Major Benjamin Bennett Leane, 48th Battalion (Infantry), First World War.

Read more about the Last Post Ceremony at the Memorial

Please note: The film and sound collections of the Australian War Memorial includes items which may contain: historically or culturally sensitive images and terms, confronting depictions of the consequences of warfare, and/or, human suffering or death. This material does not reflect the viewpoint of the Memorial, but rather is representative of the social attitudes and circumstances of the period or place in which it was created and also the reality and human cost of warfare.

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