The large figures on the walls of the Hall of Memory
The large figures on the walls of the Hall of Memory are of a soldier, a sailor, and airman and a servicewoman from the Second World War.
The Army: The war is over. The last traces of the storm symbolising it can be seen as water running down the tree trunk, while the sunshine bursting through the trees causes the soldier to contemplate that the sacrifices of his dead comrades have brought a ray of hope for the future. Through the beams of light he imagines he sees in bird-like form their ascending spirits. After the dreary war years, with freedom still ours, he is removing his wartime equipment and preparing to return home.
The Navy: On the fore-deck the sailor in summer uniform is preparing to hoist the white ensign, which symbolises the oldest tradition of the fighting services, as the ship goes into action. Behind him is the nautical compass as a reminder of the Navy's service in all seas. Above, on the upper fore superstructures of the ship, are an Oerlikon anti-aircraft gun, and fixed searchlights from which beams of light are crossed with beams coming onto the ship. Smoke belches from the funnel as she steams towards the foe.
The Air Force: In the remaining walls of a cathedral, the flying officer stands and surveys the destruction of beauty and human ideals. He is inspired to defend his tradition. The sculptured "wyvern" grins down sardonically on man's stupidity, and on the perverted ingenuity by which he can destroy in a few moments what has taken centuries to build. The idea is sustained symbolically in the decapitated saint and mutilated hand and book, and, from above, the rain of missiles. In but two generations this youngest of the services has built up its wonderful tradition of prowess and the noble one of chivalry.
The Women's Services: This figure is clothed in blouse and skirt, this part of the uniform being the same in all the women's services. The different branches of the services are symbolised by their own badges in the lower right hand part of the design. The figure has stepped forward from an opened doorway, from which bursts a halo of winged light. She remembers the many sacrifices and disasters suffered by her sisters; one of which is symbolised above by the engulfing waves of the sea into which sinks the "sea-centaur", symbol of that war tragedy in which the hospital ship Centaur was sunk and all but one of her nurses lost their lives. The suggestion of missiles falling from above is a reminder that so often the service woman too was a victim of gunfire and the wrack of bombs.