• Battle

    Both the British and the Germans saw Crete, the largest and southernmost Greek island, as strategically important to their operations in the eastern Mediterranean. From their airfields German bombers could reach Britain’s vital bases in Egypt, whereas, from these same locations, the British could attack the Romanian oilfields at Ploesti, Germany’s main source of petroleum. The British also wanted to use the fine harbour at Suda as a naval refuelling base.

    The island’s airfields – Maleme, Retimo, and Heraklion – as well as the naval base at Suda Bay were the keys to Crete. The British commander, New Zealander General Bernard Freyberg, had allocated garrisons to each of these positions. Each would be subject to savage air and ground attacks.

    On 20 May thousands of German paratroopers and glider-borne soldiers descended upon Crete. The defenders responded with brutal and accurate fire, killing many of the enemy while in the air, and others once they landed. At Retimo and Heraklion the Australian and British defenders kept the invaders off the airfields. But at Maleme the situation facing the British was more desperate. There the Germans succeeded in securing the field from the New Zealanders. Sensing victory, German planes brought in reinforcements from the 5th Mountain Division. With each passing hour German strength grew while that of the British declined.

    An absurd juggernaut, Knossos and Australian troops
    Michael Winters
    An absurd juggernaut, Knossos and Australian troops
    pen and ink on card
    drawn in Australia in 1992
    52.5 x 37.5 cm
    A Juggernaut, often depicted as a moving vehicle due to its links with the chariot of the Hindu Lord Jaggan-Nathji, is an overwhelming, advancing force that crushes everything in its path. A Juggernaut is a belief or institution, that elicits blind and destructive devotion or to which people are ruthlessly sacrificed. In this work the Juggernaut, which resembles a harvester, makes reference to the Australian soldiers and their greatest sacrifice for a cause, their life in the defence of their Allies. The broken temple columns are a symbol of the sudden and untimely death of the young soldiers.
    OL00475.021

    German paratroopers flying to Crete
    Michael Winters
    German paratroopers flying to Crete

    pen and ink on card
    drawn in New Zealand in 2003
    36 x 50 cm
    OL00475.030

    From nature to diagram – from diagram to war
    Michael Winters
    From nature to diagram – from diagram to war

    pen and ink on card
    drawn in Australia in 1992
    52.5 x 37.5 cm
    The diagrams at the bottom of this work make reference to the way in which man, through cruel ingenuity, can take a principle of nature and use it for destructive ends. Amid the German paratroopers is the figure of Daedalus, the legendary artist, craftsman and inventor in ancient Greece who designed the Labyrinth. Daedalus was imprisoned with his son Icarus on Crete by King Minos in the Labyrinth when he fell out of favour with the King. In order to escape he constructed two pairs of wings so that they could fly away. Daedalus flew safely to Siciliy however Icarus approached the sun too closely causing the wax in his wings to melt and he dropped to his death in the Agean Sea.
    OL00475.020

    A Cretan couple witness the invasion
    Michael Winters
    A Cretan couple witness the invasion

    A scared elderly Cretan couple stand in their home as the German paratroopers begin to fall to the earth. The civilians of Crete along with the Allied soldiers were amazed by the sight of thousands of men dropping out of the sky. Many of them had never seen a paratrooper and some of the soldiers were in such awe that they put down their weapons to take out a camera.
    ‘I was spellbound by the futuristic nature and the magnificence of the scene before me. It wasn’t long before they were coming in along about five miles of coastline and as far as the eye could see they were still coming.’
    Norman Johnstone 2/4 Battalion OL00475.027

    A paratrooper leaps into the void
    Michael Winters
    A paratrooper leaps into the void

    pen and ink on card
    drawn in Canberra in 2004
    50 x 36 cm
    OL00475.038

    The women of Crete take up arms as the battle begins
    Michael Winters
    The women of Crete take up arms as the battle begins

    pen and ink on card
    drawn in Canberra in 2004
    50.8 x 37.8 cm
    OL00475.056

    Hidden among the olives, as the battle begins, under the gaze of the Minotaur and wrapped in the ribbon of time
    Michael Winters
    Hidden among the olives, as the battle begins, under the gaze of the Minotaur and wrapped in the ribbon of time

    pen and ink on card
    drawn in Canberra in 2004
    49.6 x 37.8 cm
    Greek soldiers were also fighting against the Germans in the defence of Crete alongside the Australian, British and New Zealand forces.
    OL00475.055

    Exhausted Australian soldier, and German paratrooper tearing the curtain of time
    Michael Winters
    Exhausted Australian soldier, and German paratrooper tearing the curtain of time

    pen and ink on card
    drawn in Crete in 1991
    52.5 x 37.5 cm
    The curtain of time, symbolized by a parachute, is torn by an Australian soldier to reveal iconic mythical and legendary figures from the history of Crete.
    OL00475.019

    The battle commences, with an Argonaut of old as a witness
    Michael Winters
    The battle commences, with an Argonaut of old as a witness

    pen and ink on card
    drawn in Canberra in 2004
    50 x 36 cm
    OL00475.032

    Threat and conflict from the heavens, amid the emblems of old
    Michael Winters
    Threat and conflict from the heavens, amid the emblems of old

    pen and ink on card
    drawn in New Zealand in 2003
    50 x 36 cm
    OL00475.031

    Amid the dark clouds and myths of the past, another battle
    Michael Winters
    Amid the dark clouds and myths of the past, another battle

    pen and ink on card
    drawn in Canberra in 2004
    69 x 94.5 cm
    OL00475.046

    The women of Crete, witness the battle
    Michael Winters
    The women of Crete, witness the battle

    pen and ink on card
    drawn in Canberra in 2003
    36 x 50 cm
    Classical Minoan women and contemporary Cretan women look out over the historically important port Suda Bay during the battle. The clouds of black smoke rising from the bombing of the Allied ships by the German’s hark back to the legendary destruction of Crete and the Minoan culture through volcanic activity.
    OL00475.036

    Paratrooper, caught amid the orange grove
    Michael Winters
    Paratrooper, caught amid the orange grove

    linocut on paper
    made in Greece in 2002; printed in Portland, Vic in 2004
    50 x 30 cm
    ART92794

    Crashed glider and a tomb of old
    Michael Winters
    Crashed glider and a tomb of old

    pen and ink on card
    drawn in Canberra in 2004
    94.5 x 69 cm
    OL00475.051

    Conflict in the land of the Minotaur
    Michael Winters
    Conflict in the land of the Minotaur

    linocut on paper
    made in Canberra in 2004; printed in Portland, Vic in 2004
    35 x 50 cm
    Crete was the home of the mythological Minotaur, a half man half beast. The Minotaur lived in a labyrinth and King Minos sacrificed men and women to the creature by locking them in the Labyrinth to wander around aimlessly until they were killed. Years later the warrior Theseus arrived on Crete to attempt to slay the Minotaur. Ariadne, daughter of Minos and Pasiphae, fell in love with Theseus and asked Daedalus to help him. Daedalus gave her a piece of thread for Theseus to tie on the door of the Labyrinth as he entered so that after killing the Minotaur he could find his way out. Theseus succeeded in slaying the Minotaur and escaped from Crete with Ariadne. Centuries later new warriors came to do battle in the land of the Minotaur and they added another layer to the history of Crete.
    ART92795

    A sinister shadow and a remnant of the Archangel Michael
    Michael Winters
    A sinister shadow and a remnant of the Archangel Michael

    pen and ink on card
    drawn in Crete in 1990
    52.5 x 37.5 cm
    The shadow of a soldier falls menacingly across the doorway of an old church, where over time all has flaked off the walls except for the face of the Archangel Michael. The majority of the people on the Island belong to the Greek Orthodox Church and the Archangel Michael is an important and recurring figure in the religious iconography on Crete.
    OL00475.023

    The blacked-winged figure from the north in conflict with the antipodean
    Michael Winters
    The blacked-winged figure from the north in conflict with the antipodean

    linocut on paper
    made in Canberra in 2004; printed in Portland, Vic in 2004
    50 x 35 cm
    ART92798

    Old Cretan woman in fear, her goat, the devil of old and Australian troops
    Michael Winters
    Old Cretan woman in fear, her goat, the devil of old and Australian troops

    pen and ink on card
    drawn in Canberra in 2003
    36 x 50 cm
    Towards midday on Friday 22 May Captain Ralph Honner led C Company 2/11th Battalion through the vineyards, which were littered with the corpses of German paratroopers, and into the tiny village of Cesmes. In a house that had been damaged by air attacks the soldiers found a blind and elderly woman left by the other locals who had fled the village. Although they were unable to speak with her the soldiers understood how terrified she was, and gave her food, and milk from a goat that had also survived the attacks. They tethered the goat nearby and then moved on, hopeful that a villager might return to find the woman.
    ART92806

    Wounded, among the olives
    Michael Winters
    Wounded, among the olives

    linocut on paper
    made in Greece in 2002; printed in Portland, Vic in 2004
    50 x 35 cm
    ART92792

    The death of an Anzac and the minotaur
    Michael Winters
    The death of an Anzac and the minotaur

    pen and ink on card
    drawn in Canberra in 2003
    50 x 36 cm
    OL00475.028

    Tending the wounded amid the olives
    Michael Winters
    Tending the wounded amid the olives

    pen and ink on card
    drawn in Canberra in 2004
    36 x 50 cm
    OL00475.045

    A Maori’s death
    Michael Winters
    A Maori’s death

    pen and ink on card
    drawn in New Zealand in 2003
    50 x 36 cm
    ‘I’ll tell you about a dying Maori. He was badly wounded and I said I’d give him a blanket to bury him in. And I was frightened of course. There were bombers and god knows what and he was lying there. He knew he was going to die, so I took him by the hand. ‘Don’t be frightened’, he said and he was dying. I gave him my blanket to bury him. Wonderful. He was comforting me and he was dying.’
    OL00475.024

    Tending a wounded German paratrooper
    Michael Winters
    Tending a wounded German paratrooper

    pen and ink on card
    drawn in New Zealand in 2003
    36 x 50 cm
    OL00475.025

    Death among the flowers of May and the Archangel Michael
    Michael Winters
    Death among the flowers of May and the Archangel Michael
    pen and ink on card
    drawn in Canberra in 2003
    50 x 36 cm
    Springtime in Crete usually sees the island ablaze with wild flowers, yet the spring of 1941 saw the flowers crushed and destroyed by the intense fighting. Many of the dead lay among the damaged flowers for days before they could be buried. In this work the biblical Archangel Michael, leader of the army of God against Lucifer, is watching over a dead German paratrooper and an Australian soldier amidst a field of flowers.
    OL00475.034

    The death and transfiguration of a young Australian soldier, in the old land of Crete
    Michael Winters
    The death and transfiguration of a young Australian soldier, in the old land of Crete
    pen and ink on card
    drawn in Canberra in 2004
    38 x 50 cm
    OL00475.047

    The death of an Australian amid the pines, with remnants of the winter snow on Psiloritis [Mount Ida]
    Michael Winters
    The death of an Australian amid the pines, with remnants of the winter snow on Psiloritis [Mount Ida]
    pen and ink on card
    drawn in Canberra in 2004
    38 x 50 cm
    OL00475.053

    The church of St George and a wounded Australian
    Michael Winters
    The church of St George and a wounded Australian
    linocut on paper
    made in Canberra in 2003; printed in Portland, Vic in 2004
    35 x 50 cm
    The church of St George was used by the German’s as a safe house and position from which to attack the Allied soldiers. On 27 May in an attempt to take the Church and therefore destroy a threatening machine gun and observation post there were many Australian casualties.
    ART92789

    A Cretan woman’s cry of despair amid the destruction
    Michael Winters
    A Cretan woman’s cry of despair amid the destruction
    pen and ink on card
    drawn in Canberra in 2004
    69 x 94.5 cm
    OL00475.04