The official box

Place Oceania: Australia, Northern Territory
Accession Number ART94592
Collection type Art
Measurement Overall: 31.7 cm x 41.4 cm x .3 cm; framed: 46.3 cm x 56.5 cm x 5.5 cm
Object type Painting
Physical description oil on linen
Maker Pidgeon, William Edwin (WEP)
Place made Australia: New South Wales, Sydney
Date made 1943
Conflict Second World War, 1939-1945
Copyright

Item copyright: AWM Licensed copyright

Description

Depiction of the North Australian Picnic Race Club. The club, run entirely by Army Personnel, was a sizable complex constructed from bush timber and scrounged materials with the aid of graders and tractors lent by the Allied Works Council. The track was fully fenced and facilities included an elaborate tote, grandstand, and judge's box. At the centre of the track was a two-up school reportedly floored with canvas sheeting. As well as providing soldiers with access to recreational gambling the race club raised funds for the Australian Red Cross and Prisoner of War appeal funds. This painting was reproduced in a feature on Australian troops in the Northern Territory in 'the Australian Women's Weekly', 15 January 1944. William Edwin Pidgeon (1909-1981) was a painter, cartoonist, illustrator and newspaper critic. Working with Consolidated Press, he was appointed a war correspondant and artist in 1943. He became renowned for his cartoons signed with his initials, 'WEP'. During the Second World War many of his illustrations were published in the 'Australian Women's Weekly' and on the cover of the magazine. His humourous works conveyed the lives, personalities and conditions under which Australian troops served in Darwin, New Guinea and Borneo. During the Second World War he also contributed cartoons to the Army periodical, SALT. After the war he continued to provide illustrations for books during the 1950s, but mainly concentrated on portrait painting. He won the Archibald Prize in 1958, 1961 and again in 1968 for a portrait of fellow artist Lloyd Rees. From 1974-79 he served as the art critic for the 'Sunday Telegraph' newspaper.