North gate - Sagan Germany

Place Europe: Germany
Accession Number ART96067
Collection type Art
Measurement Overall: 17.4 x 19.1 cm
Object type Work on paper
Physical description pencil, charcoal and watercolour on paper
Maker Grey-Smith, Guy
Grey-Smith, Guy
Place made Germany
Date made 1943-05-03
Conflict Second World War, 1939-1945
Copyright

Item copyright: AWM Licensed copyright

Description

Depicts the North gate of a POW camp in Sagan, Germany during the Second World War. Behind the gate stand two men and a single storey building. Stalag Luft III was a Luftwaffe-run POW camp in Sagan for captured allied airmen. On the verso is a watercolour titled 'Sagan - Germany', dated 08 May 1943. It depicts a gate behind which a single storey building is partially screened by trees. Guy Grey-Smith (1916-1981) was a painter, printmaker and ceramicist. In late 1936 he joined the RAAF and was seconded to the RAF for 5 years, arriving in Britain shortly before the outbreak of the Second World War. In England he became a member of the No. 139 (B flight) Squadron at an aerodrome in Wyton, Huntingdon. On 4 September 1939 No. 139 Squadron led the first air raid of the war against German shipping near Wilhelmshaven. In May 1940 he was involved in a bombing raid over the Netherlands and a shell exploded in the cockpit of his plane, causing Grey-Smith to bail out at 600 feet. He landed dazed and bleeding heavily, with a broken leg and jaw at the German, Belgian and Dutch borders. He was left for 5 hours unattended before being picked up and taken to a German Casualty Clearing station. Guy Grey-Smith was imprisoned in a number of POW camps in Germany and Poland between September 1939- May 1944. Due to enforced periods of idleness at the camps he began embarking on an artistic career, receiving artbooks and materials in the various camps sent by his British wife, Helen. In October 1943, Grey-Smith's ill health made him eligible under the Geneva Convention to be moved out of the camp and he was repatriated to Australia 4 years after he was shot down. The works produced by Grey-Smith during his internment in various POW camps present vivid insights into the locations and day-to-day activities at the camps by one of West Australia's most well regarded Modernist artists.

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