Place | Middle East: Ottoman Empire, Turkey, Dardanelles, Gallipoli, Cape Helles Area, Achi Baba |
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Accession Number | ART00060 |
Collection type | Art |
Measurement | Overall: 20.2 x 32.9 cm |
Object type | Work on paper |
Physical description | pencil on paper |
Maker |
Roach, Gilbert |
Place made | Ottoman Empire: Turkey, Dardanelles, Gallipoli |
Date made | 1915 |
Conflict |
First World War, 1914-1918 |
Copyright |
Item copyright: Unlicensed copyright |
Achi Baba, from ANZAC Cove, Aug 1915
This work depicts the dugouts and paths, which are seen in the foreground. Above them on the sky line is the massive Kilid Bahr plateau, near the promontory in the centre is Gaba Tepe, and above is the peak of Achi Baba. The British position at Helles comprised the distant coast up to a point a little astern of the destroyer in the harbour. This work was used in 'The ANZAC Book', published in 1916, and included illustrations, poems, stories and other creative works from the soldiers on the Gallipoli Peninsula. In November 1915 CEW Bean, an official war correspondent and eventually official war historian, called for contributions for what was initially to be an ANZAC New Year magazine. Bean edited the work on the island of Imbros and after the Greek publisher fell through, arranged to have the work published in London by Cassell and Company. The book is composed of satirical and sombre pieces about the conditions of life at Gallipoli. It also provides a general outline of the April 25 landing at ANZAC Cove and the military advances, offensives and defensives undertaken in the following months until the eventual evacuation of the Allied forces at the end of December 1915. The introduction was written by General Sir W Birdwood, who explains how he named ANZAC Cove on the Gallipoli Peninsula after the ANZAC forces. Bean contributed an editor's note in which he outlined the harsh conditions that the book was produced in, the significance it had taken on, and acknowledged the contributors.