The Generation of Victory

Accession Number AWM2019.213.1
Collection type Art
Measurement 44 sheets each: 21 x 16 cm
Object type Work on paper
Physical description carbon transfer on paper
Maker Nguyen Thi Thanh, Mai
Date made 2019
Conflict Vietnam, 1962-1975
Copyright

Item copyright: AWM Licensed copyright

Description

‘The Generation of Victory’ [The he cua chien thang] is a series of multiple drawings depicting war monuments from across Vietnam that together ‘emphasise the heaviness of “victory” spirit across generations.’

Vietnam is dotted with war monuments. They are present in every province from the North to the South and are usually located on the site of a specific battle or heroic action. Socialist realist in style and uniform in format, they are exclusively celebratory and heroic expressions of Victory. Commissioned by the Communist Party these monuments convey the strength of the collective in overcoming the enemy.

Artist Nguyen Thi Thanh Mai travelled around the country photographing war monuments while undertaking fieldwork for her commission. She later drew the monuments on small sheets of gridded paper from vintage notebooks, similar to those used by students of her generation in school. Each drawing focuses on groups of figures in such monuments, showing advancing soldiers, determined men, women, and children carrying guns, sticks and flags, flowers, or hammers: ‘...something as they have to flex their bodies to move forward’.

The artist seeks to show how a state sanctioned memory of war pervades many aspects of Vietnamese society. She asks us to reflect on the absence of depictions of the reality of war – such as violence, loss and mourning. She alludes to the weight of individual trauma and grief unable to be expressed at these public places of memory.

The series is ongoing as Thanh Mai continues to collect images of statues and monuments in an immersive study process.

Mai Nguyen Thi Thanh (b.1983, lives and works in Hue, Vietnam) was commissioned to create art works in response to Vietnamese and Australian experiences of the Vietnam War. She undertook a research residency at the Memorial in Canberra and fieldwork in Vietnam. Her project examined and questions the roles and consequences of nationalism effecting different generations during and after the Vietnam War. The commission was co-funded by the Memorial and the Department of Communications and the Arts’ Anzac Centenary Arts and Culture Fund.