Place | Asia: Netherlands East Indies, Java, Bandoeng |
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Accession Number | ART91974 |
Collection type | Art |
Measurement | Overall: 24.8 x 16.2 cm |
Object type | Work on paper |
Physical description | watercolour, pen and ink on buff paper laid on tissue paper |
Maker |
Van Grondelle, Connie |
Place made | Netherlands East Indies: Java, Bandoeng |
Date made | 1943 |
Conflict |
Second World War, 1939-1945 |
Copyright |
Item copyright: External copyright |
Where is the meat?
A disgruntled woman dressed in red speaks to Mrs Hessels Van Zalm, on the right, about the rations, asking: 'On behalf of the whole camp I ask you where is the meat?' Mrs Hessel Van Zalm sarcastically replies: ' I have eaten 250 kilograms by myself and the grizzle is in the soup.' The women working in the kitchen often had to endure angry outbursts from fellow internees who were dissatisfied with the food they were given, the lack of meat and the small portions. Some internees were very suspicious of the women working in the kitchens believing that they kept the best food for themselves. This is one of 28 drawings created by internees of Camp Karees and presented to Mrs Frederika Hessels Van Zalm as a token of appreciation for her tireless work running the camp's kitchen. Mrs Hessels Van Zalm was detained in Camp Karees with her two daughters Hanny and Dicki, nicknamed Ponny, her youngest son Dirk, nicknamed Bully, and her father Dirk. Her eldest son Fred was sent to a men's camp. Camp Karees was one of many internment camps created in Indonesia, by the Japanese, for the detainment of Dutch residents in the Second World War. Camp Karees was created for the detainment of women and children. A number of elderly men were also detained at Camp Karees. The camp held 6000 internees and private cooking was forbidden. All meals were provided form a central kitchen and trading for food from outside the camp was severely punished. 'Karees was a collection of houses in the poorer section of Bandoeng, fenced off with gedek (plaited bamboo sheets) topped with barbed wire.' Shirlie Fenton Huie, 1992.