Place | Europe: France, Picardie, Somme, Amiens Harbonnieres Area, Glisy |
---|---|
Accession Number | ART03495 |
Collection type | Art |
Measurement | Overall: 27.6 cm x 120.4 cm; Left sheet: 24.7 x 40.2; Centre sheet: 26.5 x 40.1; Right sheet: 27.7 x 40.1cm |
Object type | Work on paper |
Physical description | pencil on paper [three sheets] |
Maker |
Streeton, Arthur |
Place made | France: Picardie, Somme, Amiens Harbonnieres Area, Glisy |
Date made | July 1918 |
Conflict |
First World War, 1914-1918 |
Copyright |
Item copyright: Copyright expired - public domain This item is in the Public Domain |
Headquarters, 2nd Division, Glisy
Depicts the 1st Australian Imperial Force, 2nd Australian Division Headquarters in woods near Glisy, with tents, Nissen huts, barracks and motor vehicles depicting camp life. There is a group of soldiers in formation with rifles in the left midground of the work.
Arthur Streeton is best known as one of the painters of the Heidelberg School in Melbourne in the late nineteenth century. His name is linked with Tom Roberts, Charles Conder, and Frederick McCubbin as responsible for developing in Australia an impressionist technique of painting, and depicting scenes that embraced the nationalistic concerns of the last two decades of the nineteenth century. During his lifetime he was acknowledged as the finest painter of the Australian landscape; he was the first Australian painter to be honoured by a retrospective exhibition in his own lifetime; and only the second to be knighted.
In 1918 while based in London, he was appointed by the Australian War Memorial as an official war artist and travelled to France to record the involvement of Australians in the battles taking place along the Somme River. During the period of his employment he produced ten paintings and eighty-six drawings that are held by the Memorial. These were all executed in the years 1918 and 1919. The Memorial later purchased his HMS Renown, Sydney Harbour painted in 1922, and commissioned several large paintings of significant wartime subjects.