Place | Europe: Belgium, Flanders, West-Vlaanderen, Messines |
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Accession Number | ART00180 |
Collection type | Art |
Measurement | unframed: 30.6 x 43.2 cm |
Object type | Painting |
Physical description | oil on canvas board |
Maker |
Bryant, Charles |
Place made | Belgium: Flanders, West-Vlaanderen, Messines |
Date made | 1918 |
Conflict |
First World War, 1914-1918 |
Copyright |
Item copyright: Copyright expired - public domain
|
Ultimo Crater
Depicts the Ultimo Crater and war damaged landscape at Messines, Belgium on the Western Front during the First World War. It is mentioned in Charles Bean, `Official History of Australia in the war of 1914-18' vol. IV where he notes; `Still farther to the right, where the flank rested on the northernmost of the two great flanking mine-craters, another German machine-gun presently opened from a concrete shelter 100 yards up a communication trench, "Ultimo Lane", whose end was obliterated by the crater'.
Charles Bryant (1883-1937) had some early art lessons before beginning his career as a clerk in the Bank of NSW. In 1908 he travelled to London and studied marine painting at St. Ives in Cornwall. In December 1917 he was appointed as an Official War Artist, attached to the 2nd Division AIF working in France. His commission was terminated in December 1918 and he returned to Australia in 1921 where he undertook further work for Australian War Records. In 1923 he was commissioned by the War Memorial to paint a series of works in connection with the occupation of German New Guinea by Australian troops. From 1924 to 1930, Bryant ran a paint shop in Manly where he was a founder of the Manly Art Gallery in 1924. In 1925 he was commissioned to paint the United States fleet in Sydney Harbour for presentation to the President of the USA.