[Sheet music] Battle of the nations : march descriptive

Sheet music for the instrumental piece titled 'Battle of the Nations', composed by Edward Taylor Paull. This piece was written in 1915 and was described as a 'descriptive march'. It also asserts on the cover to be a "companion piece to the celebrated 'Napoleon's Last Charge'". The back page features a listing of Paull's musical works and arrangements available for purchase from J Albert & Son, Sydney. This copy was published by J Albert & Son, Sydney, and was sold for 4/- by Empire Music House, Burwood.

Descriptive pieces have been described as falling into the salon music genre. This piece resembles descriptive fantasias which were a sub-genre of this category and were popular during the nineteenth century. Descriptive fantasias are a type of musical composition depicting an event with music that also incorporates tunes that many people know or recognise. Works, such as this one, were popular with pianists for parlour performances, and also provided opportunities for their audience to vocally join in during the snippets of familiar songs.

Inside the front cover is a synopsis of the music which is described as 'The following introduction is a representation of heavy cannonading, Reveile, French Fife and Drum Corps; Military Band; Scotch Highlanders with Bag Pipes; Bugle Calls, etc'. Some of the pieces represented in the work include 'The Russian National Anthem' and 'Rule Brittania'. Some of the scenes represented in this work include troops assembling, the band playing, soldiers marching, bugles sounding, soldiers forming the line of battle, calls for reinforcements and their subsequent movement to the front line, charging of horses and cavalry, soldiers retreating, Allies charging enemy lines, trench fighting and the clash of arms. The piece finishes with 'Rule Brittania'.

Edward Taylor Paull was an American composer and arranger of musical works who specialised in marches and descriptive pieces. He was the first publisher to use five-colour lithograpy in the production of covers for his sheet music and used the cover illustration to refer to events portrayed in the music itself.


Towards the bottom of this page is a sound recording of this sheet music, or a parody, that was created as part of the Music and the First World War project. More information about this recording, including names of the performers, can be found on the catalogue record for the sound recording. A link to the catalogue record for the sound recording can be found at the bottom of this page, under the heading ‘Related objects’ where it can be identified with the prefix [sound recording].