Hiteriada Macabra

Places
Accession Number ART96183
Collection type Art
Measurement Overall: 43.2 x 31.4 cm
Object type Print
Physical description offset lithographs printed in colour adhered to card
Maker Toegel, Stanislaw
Markiewicz, Antoni
F W Dobereiner
Place made Germany: Luneburg, Celle
Date made 1946
Conflict Second World War, 1939-1945
Copyright

Item copyright: Copyright expired - public domain

Public Domain Mark This item is in the Public Domain

Description

'Hiteriada Macabra' is a series of ten offset lithographs published by Antoni Markiewicz, and printed in an edition of 1450 by Emil Falcon for FW Döbereiner, Hamburg in 1946.

In 'Hitler Macabra' the artist depicts Nazi leaders and SS officers as beastly monsters who gained sadistic pleasure from the torture and torment of their victims. They are confronting images depicting Nazi cruelty and violence. The final image in the series shows the theft of art works by Nazi officers following the quashing of the Warsaw Ghetto. The prints in this series are titled: The Butcher; "Preliminary investigations"; Strength through joy; A sharp shooter; What makes them smile; Guard by the walls of the ghetto; "Investigations" on a 16 year old girl; SS Bestia; Hanging by the nose: the 8 day torture of Jan Blazejowski; "Science" gives a hand and The conquerors of Warsaw get their trophies.

The original cartoons were created clandestinely by Stanislaw Toegel, a Polish POW, in German labour camps during the final years of the Second World War. Stanislaw Toegel (1905-1953) was a lawyer and amatuer artist, who served as a reserve officer with the Polish Army and was captured by the Germans after the battle for Poland in 1939. He escaped and spent the German occupation in Warsaw. During this time Toegel actively participated in the Polish underground movement of the AK (Armia Krajowa or Home Army). After the Warsaw uprising was quashed by the Germans in October 1944 Toegel was once again sent to a prison camp at Göttingen, Germany, where he was forced to labour in a paper mill. It was here under difficult conditions that he produced the original satrical drawings in secret. This was despite the certain death sentence that his identification as the artist by the Germans would mean. After the camp was liberated in 1945 Toegel worked in a Displaced Persons or D P camp at Osnabrück, Germany. During his time there he contributed further drawings and articles for a journal circulated amongst the DP camps.